tag:blogger.com,1999:blog-32242413231078101802024-03-14T08:08:29.081+01:00Copenhagen Ceramicscopenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.comBlogger84125tag:blogger.com,1999:blog-3224241323107810180.post-57786427244512607902021-04-15T14:57:00.008+02:002021-04-16T08:55:41.913+02:00BEND, BUBBLE AND SHINE Copenhagen Ceramics at Hostler Burrows, New York <p> </p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixlp8RBYDywgn6t5XZfOCabV0d4SFsnQo2wHYtys5ADURnff62Z0Rb7IwIZOeNFDc54LNZCPSQlM8kZS_fz3IVuiyO-CxqX6hlE8UqEnZ8YxgFD8G1BNXgHkV33RcteSUGfORUkNnYch2W/" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="2048" data-original-width="1718" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixlp8RBYDywgn6t5XZfOCabV0d4SFsnQo2wHYtys5ADURnff62Z0Rb7IwIZOeNFDc54LNZCPSQlM8kZS_fz3IVuiyO-CxqX6hlE8UqEnZ8YxgFD8G1BNXgHkV33RcteSUGfORUkNnYch2W/w536-h640/image.png" width="536" /></a></div></div><p></p><p class="MsoNormal" style="line-height: 20pt; margin-bottom: 12pt; text-align: center;"><i><span lang="EN-US" style="font-size: 20pt; letter-spacing: 0pt;"><span style="font-family: courier;"><br /></span></span></i></p><p class="MsoNormal" style="line-height: 20pt; margin-bottom: 12pt; text-align: center;"><i><span lang="EN-US" style="font-size: 20pt; letter-spacing: 0pt;"><span style="font-family: courier;"><br /></span></span></i></p><p class="MsoNormal" style="line-height: 20pt; margin-bottom: 12pt; text-align: center;"><i><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier; font-size: large;">BEND, BUBBLE AND SHINE <o:p></o:p></span></span></i></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;">
<p class="MsoNormal" style="line-height: 20pt; margin-bottom: 12pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span style="font-family: courier; font-size: large;"><span lang="EN-US" style="letter-spacing: 0pt;">COPENHAGEN
CERAMICS AT HOSTLER BURROWS </span><span lang="EN-US" style="letter-spacing: 0pt;"><o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 20pt; margin-bottom: 12pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier; font-size: large;">April 29 – June 10, 2021<o:p></o:p></span></span></p>
<p class="MsoNormal" style="line-height: 20pt; margin-bottom: 12pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier;"><span style="font-size: large;">35 E 10th Street, New York, NY </span><o:p style="font-size: 14pt;"></o:p></span></span></p>
<p class="MsoNormal" style="margin-bottom: 12pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN-US" style="font-size: 11pt; letter-spacing: 0pt;"><span style="font-family: courier;"> </span></span></p>
<div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier;">Dear all,</span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier;">Copenhagen
Ceramics has the great pleasure of announcing the opening of the exhibition <i>Bend, Bubble and Shine</i> at Hostler
Burrows gallery in New York on Thursday April 29 2021.</span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier;"><span style="letter-spacing: 0pt;">The
exhibition will be showing significant new works by 9 Danish ceramic artists
whom we have selected in close collaboration with the gallery to present to an
American audience the broad spectrum of artistic expressions and applications
of the ceramic medium that currently characterizes the contemporary Danish
scene. The artists, who all have been presented during earlier Copenhagen
Ceramics activities, are established and well recognized names in Denmark and
internationally with important exhibition careers.</span></span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="letter-spacing: 0pt;"><span style="font-family: courier;">The artists are: <i>Karen Bennicke, Morten Løbner Espersen, Steen Ipsen, Gitte Jungersen,
Martin Bodilsen Kaldahl, Marianne Nielsen, Turi Heisselberg Pedersen, Pernille
Pontoppidan Pedersen and Bente Skjøttgaard.</i></span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="letter-spacing: 0pt;"><span style="font-family: courier;"><span style="letter-spacing: 0pt;">In connection
with the exhibition we are publishing a catalogue of 56 pages, with a foreword
by Hostler Burrows, 32 handsome images of works and textual introduction of the
artists, a brief account of the Copenhagen Ceramics story, and most importantly
a 6 page essay on contemporary Danish ceramics, </span><i style="letter-spacing: 0pt;">Touching from a Distance,</i><span style="letter-spacing: 0pt;"> by Garth Johnson, Paul Phillips &
Sharon Sullivan Curator of Ceramics at Everson Museum of Art, Syracuse NY, USA.</span></span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="letter-spacing: 0pt;"><span style="font-family: courier;"><div style="font-family: "Times New Roman"; margin-bottom: 12pt;"><span style="font-family: courier;"><span lang="EN-US" style="letter-spacing: 0pt;">In the essay he points to some central artists of Danish ceramics’ history to draw up a background for more recent developments and clear changes of the field over the last 20 years. In particular he focuses on the vital importance of the tactile qualities of the works and the strong sense of form still characterizing Danish ceramics. Quote:</span></span></div><div style="font-family: "Times New Roman"; line-height: 20pt; margin-bottom: 12pt;"><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier;">“Even the most casual viewer will be swept up in the diversity of materials and approaches—and this is a direct effect of the artistic ferment caused by the hothouse environment that is contemporary Danish Ceramics.”</span></span></div></span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="font-family: courier;"><span lang="EN-US" style="letter-spacing: 0pt;">An online version of
the catalogue can be downloaded here: </span><span lang="EN-US" style="color: #2b00fe; letter-spacing: 0pt;"><a href="https://www.hostlerburrows.com/attachment/en/6065e2e6575e0632a8123402/TextTwoColumnsWithFile/606cd99c1a28ab547555b4a4/additionalFiles/6075ab29204e5445d66c1532/translatedAdditionalFiles/6075ab29204e5445d66c1533"><b>Download
exhibition Catalogue</b></a></span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span lang="EN-US" style="letter-spacing: 0pt;"><span style="font-family: courier;">Hostler Burrows was founded in New
York in 1998 by Juliet Burrows and Kim Hostler. Initially dedicated </span></span><span style="font-family: courier; letter-spacing: 0pt;">to historical Nordic design and
studio arts, the gallery has evolved its programme to integrate a full roster </span><span style="font-family: courier; letter-spacing: 0pt;">of contemporary artists, both
established and emerging. While international in scope, the gallery’s primary </span><span style="font-family: courier; letter-spacing: 0pt;">focus remains in Scandinavia and
rooted in the tradition of studio ceramics.</span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="font-family: courier; letter-spacing: 0pt;">Hostler Burrows New
York is located at 35 E 10th St., New York, New York. The gallery is open by </span><span lang="EN-US" style="font-family: courier; letter-spacing: 0pt;">appointment only:
Monday – Friday, 10 am – 6 pm. For general information, please email </span><span lang="EN-US" style="color: #2b00fe; font-family: courier; letter-spacing: 0pt;"><a href="mailto:info@hostlerburrows.com"><b>info@hostlerburrows.com</b></a></span><span lang="EN-US" style="font-family: courier; letter-spacing: 0pt;"> or visit the website at: <i> </i></span><span style="color: #2b00fe; font-family: courier;"><i><a href="https://www.hostlerburrows.com/"><b><span><span lang="EN-US"></span></span><span style="text-align: center;">https://www.hostlerburrows.com/</span></b></a></i></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="font-family: courier; letter-spacing: 0pt;">Copenhagen Ceramics was
founded in 2011 by Danish ceramic artists Steen Ipsen, Bente Skjøttgaard </span><span style="font-family: courier; letter-spacing: 0pt;">and Martin Bodilsen
Kaldahl as an artist collective and exhibition platform dedicated to presenting
the </span><span style="font-family: courier; letter-spacing: 0pt;">diverse artistic
perspectives and expressions of Danish studio artists as well as fostering an
exchange of </span><span style="font-family: courier; letter-spacing: 0pt;">knowledge, insight and
inspiration both with national and international communities </span><span lang="EN-US" style="color: #2b00fe; font-family: courier; letter-spacing: 0pt;"><b><a href="http://www.copenhagenceramics.com">http://www.copenhagenceramics.com</a></b></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="font-family: courier; letter-spacing: 0pt;">The
exhibition will be open through June 10 and will later be shown at Hostler
Burrows Gallery in Los Angeles. Information on exact dates will follow later.</span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="font-family: courier; letter-spacing: 0pt;">The exhibition
has been generously supported by Danish Arts Foundation, Danmarks Nationalbank
Anniversary Foundation, Augustinus Fonden and Grosserer L.F. Foghts Fond.</span></div><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaQUzCbu5k_WufWBqamg9xPOQyNp6SZEO9zjdgzyKGD1g5JaMu2DmdvSv3bsSGXKFdViJdgPlU0FKGf_Og5Mq_guKgr90qfwmti461sEPE0-xiGI6ZfgGeujqWk3UQwM07t9QdYe56G9cC/s319/SKF_logo_ENG_black_CMYK-preview.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="319" data-original-width="232" height="101" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaQUzCbu5k_WufWBqamg9xPOQyNp6SZEO9zjdgzyKGD1g5JaMu2DmdvSv3bsSGXKFdViJdgPlU0FKGf_Og5Mq_guKgr90qfwmti461sEPE0-xiGI6ZfgGeujqWk3UQwM07t9QdYe56G9cC/w73-h101/SKF_logo_ENG_black_CMYK-preview.jpg" width="73" /></a></div><br /><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><br /></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="font-family: courier; letter-spacing: 0pt;">Images will </span><span style="text-align: center;"><span style="font-family: courier;">continuously</span></span><span style="font-family: courier; letter-spacing: 0pt;"> be posted on Instagram</span><i style="font-family: courier; letter-spacing: 0pt;"> </i><span style="font-family: courier; letter-spacing: 0pt;">@copenhagenceramics.com</span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="letter-spacing: 0pt;"><span style="font-family: courier;"><br /></span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="letter-spacing: 0pt;"><span style="font-family: courier;">With best regards</span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="font-family: courier;"><span lang="EN-US" style="letter-spacing: 0pt;">Copenhagen Ceramics </span></span></div><div style="line-height: 20pt; margin-bottom: 12pt; text-align: left;"><span style="letter-spacing: 0pt;"><span style="font-family: courier;">Bente
Skjøttgaard, Steen Ipsen and Martin Bodilsen Kaldahl</span></span></div>
<div style="margin-bottom: 12pt; text-align: left;"><br /></div>
</div><span style="font-family: courier;"><div style="text-align: left;"><b style="font-family: "courier new", courier, monospace;"><br /></b></div><div style="text-align: left;"><b style="font-family: "courier new", courier, monospace;"><br /></b></div><div style="text-align: left;"><b>Photoes by Jeppe Gudmundsen-Holmgreen:</b></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b><br /></b></div><div style="text-align: left;"><b style="font-family: "courier new", courier, monospace;"><br /></b></div><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA4oyEVyIV029ZTtiFpnc0XCwvuuw_vSbOeHEZSpERZcWEuLXvT5X6lT0BOpsN_dHUpgsoh_qpf9264rWQLMeO_0UIzJ326lj1Hz5wTUBMdQOrKsvEFDk47xGhqzskBFt_nUrYTBNCW26e/s956/karen+1.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: x-small;"><img border="0" data-original-height="956" data-original-width="848" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA4oyEVyIV029ZTtiFpnc0XCwvuuw_vSbOeHEZSpERZcWEuLXvT5X6lT0BOpsN_dHUpgsoh_qpf9264rWQLMeO_0UIzJ326lj1Hz5wTUBMdQOrKsvEFDk47xGhqzskBFt_nUrYTBNCW26e/w335-h377/karen+1.jpg" width="335" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;">Karen Bennicke: SPATIAL
COLLAGE III, 2021. H 38 x W 37 cm. Terracotta. </span></span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmUJbSTptWuMQuo0YCZ02LytEllf1jmuULrei44Skgui4Y28ojVgE6w7igwBHRnkGRaqrE_1319NNR6NP30gscR-02TOeBRjCtq79sacLSKjhyphenhyphen5ttE5_hdvbTyBqoURA-cyeIKSMMt7-Hr/s1079/Karen+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="884" data-original-width="1079" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmUJbSTptWuMQuo0YCZ02LytEllf1jmuULrei44Skgui4Y28ojVgE6w7igwBHRnkGRaqrE_1319NNR6NP30gscR-02TOeBRjCtq79sacLSKjhyphenhyphen5ttE5_hdvbTyBqoURA-cyeIKSMMt7-Hr/w364-h298/Karen+2.jpg" width="364" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span lang="EN-US" style="line-height: 106%;"><div style="text-align: center;"><span style="font-size: x-small;">Karen Bennicke: SPATIAL
COLLAGE II, 2020. H 38 x W 46 cm. Terracotta.</span></div><div style="text-align: center;"><span style="font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-size: small;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR3gkVmTn5QgfqQ3DvL2oapCb57k7n8Rf_CgEUJnpE3GCDKNu2Fpw-MtDlqra6vLq9jOriwtLR0nkg6EOlMUknER9ANjYSwxR7a5bUKTMUq2EBxJgJo4vQIjm-7PX9jSUz0obvPmLFfpPb/s979/Morten+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="979" data-original-width="776" height="431" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR3gkVmTn5QgfqQ3DvL2oapCb57k7n8Rf_CgEUJnpE3GCDKNu2Fpw-MtDlqra6vLq9jOriwtLR0nkg6EOlMUknER9ANjYSwxR7a5bUKTMUq2EBxJgJo4vQIjm-7PX9jSUz0obvPmLFfpPb/w343-h431/Morten+1.jpg" width="343" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both;"><span style="font-size: x-small;"><span lang="EN-US" style="line-height: 16.96px;">Morten Løbner Espersen: </span>Magic
Mushroom # 2267 (green). H 60 x W 34 x D
39 cm. Stoneware and glazes 2021. </span></div><div class="separator" style="clear: both;"><span style="font-size: x-small;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHAGsrFFxnJ37ojnrdoo3cv9MOyct6bn-riujPJzb7G2qfjU8YEjynYon_A0y1bsw44ZEVzzJIMjdnqj_-_56JfdPZddgIl_D9DjWNCOCByizlpeZJqzJ8ukiYoouPQjhgxRvpKDtWhk-s/s2048/Morten+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHAGsrFFxnJ37ojnrdoo3cv9MOyct6bn-riujPJzb7G2qfjU8YEjynYon_A0y1bsw44ZEVzzJIMjdnqj_-_56JfdPZddgIl_D9DjWNCOCByizlpeZJqzJ8ukiYoouPQjhgxRvpKDtWhk-s/w426-h640/Morten+2.jpg" width="426" /></a></div><br /><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;">Morten Løbner Espersen: Magic
Mushroom # 2267 (green). Detail.</span></span></div><div style="text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;"><br /></span></span></div><div style="text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;"> <div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><br /></span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwUY5rkRpUPi70WaiaY30yZ51Z0Hqt-WiDV2cc54ayqY9U6zO5irS3QKqlYQjZwIvYrIQT6TyQx1C7YbnwSHLDmsB6_ic8grCoi6QxPriPAysYq8-3r5MulIL5IdfFYekLwZipuTHCh_X0/s1085/Steen+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1076" data-original-width="1085" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwUY5rkRpUPi70WaiaY30yZ51Z0Hqt-WiDV2cc54ayqY9U6zO5irS3QKqlYQjZwIvYrIQT6TyQx1C7YbnwSHLDmsB6_ic8grCoi6QxPriPAysYq8-3r5MulIL5IdfFYekLwZipuTHCh_X0/w286-h283/Steen+1.jpg" width="286" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;">Steen Ipsen: Ellipse
1/2021. H 44 x W 44 x D 35 cm. Black glazed earthenware with yellow PVC. </span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkBK4JCxaNsGto-UX4xzP3PWFvbI_-vJgvdqoVbzlCP1QTHFnIk9vxE7E2aYV_NhsxP0oparI7e7Lcu6CCxuXRKsM1HQILH9RDvNghM82D0KfUVKOG_joU_Cy3wAnZ7cW-J3GZnklZTMMf/s1341/steen+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1117" data-original-width="1341" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkBK4JCxaNsGto-UX4xzP3PWFvbI_-vJgvdqoVbzlCP1QTHFnIk9vxE7E2aYV_NhsxP0oparI7e7Lcu6CCxuXRKsM1HQILH9RDvNghM82D0KfUVKOG_joU_Cy3wAnZ7cW-J3GZnklZTMMf/w422-h353/steen+2.jpg" width="422" /></a></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both;"><span style="line-height: 13.78px;">Steen Ipsen: Ellipse 3/2021. H 45 x L 67 x D 47 cm. </span><span lang="EN-US" style="line-height: 13.78px;">Orange glazed earthenware with black PVC.</span></div><div class="separator" style="clear: both;"><span lang="EN-US" style="line-height: 13.78px;"><br /></span></div><div><span lang="EN-US" style="line-height: 13.78px;"><br /></span></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLh-iYqCGE5BzIjrAxoxSssxHxPfc_CAKe_LyAmlrlb605e-93OKPdXBunlkX-0ItswQYinYKCGIf8LzgXObw0fdmsa9GUunXfZV32g-5BI0eOKQekDUg2p4XPPlPQrccl-NDCs24ku4fe/s1166/Gitte+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1166" data-original-width="856" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLh-iYqCGE5BzIjrAxoxSssxHxPfc_CAKe_LyAmlrlb605e-93OKPdXBunlkX-0ItswQYinYKCGIf8LzgXObw0fdmsa9GUunXfZV32g-5BI0eOKQekDUg2p4XPPlPQrccl-NDCs24ku4fe/w261-h355/Gitte+1.jpg" width="261" /></a></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;">Gitte Jungersen: Blue
#2. 2020. H 33 x W 11 x D 11 cm. Stoneware and glazes. </span></div><div class="separator" style="clear: both; text-align: center;"><span face=""Calibri",sans-serif" lang="EN-US" style="font-size: 11pt; line-height: 106%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span face=""Calibri",sans-serif" lang="EN-US" style="font-size: 11pt; line-height: 106%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><br /></span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjui0IKX77KNH0TX7SpLFFNyyOikp4ni14FMd5X3sNMARBiWKp41_levAUisdq55uAgf6lcA8i3rnaEBpgHuu1M8WTzRlO6qz38KaNlzOx0QOCrmTc76UQZz1y31GtPF4U4AGOtlc7ZYTw/s2048/Gitte+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjui0IKX77KNH0TX7SpLFFNyyOikp4ni14FMd5X3sNMARBiWKp41_levAUisdq55uAgf6lcA8i3rnaEBpgHuu1M8WTzRlO6qz38KaNlzOx0QOCrmTc76UQZz1y31GtPF4U4AGOtlc7ZYTw/w426-h640/Gitte+2.jpg" width="426" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span lang="EN-US" style="line-height: 106%;">Gitte Jungersen: Blue
#2. 2020. H 33 x W 11 x D 11 cm. Stoneware and glazes. </span><span style="line-height: 106%;">Detail.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="line-height: 106%;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="line-height: 106%;"> </span><br /><span lang="EN-US" style="line-height: 106%;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRxj9teavuyP3X6KwijUuSogR3CKHOKuxXKvFm4QgFpXsXciAnxiBqivoap0ZfRgjUwfnPxT6DgycfbFjEkOPbGgOUOcOK3NFqxRScW7eItpZ_obMzkCsit39UVV1HVWElBZV5EhB22CUI/s1095/Martin+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="935" data-original-width="1095" height="420" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRxj9teavuyP3X6KwijUuSogR3CKHOKuxXKvFm4QgFpXsXciAnxiBqivoap0ZfRgjUwfnPxT6DgycfbFjEkOPbGgOUOcOK3NFqxRScW7eItpZ_obMzkCsit39UVV1HVWElBZV5EhB22CUI/w491-h420/Martin+1.jpg" width="491" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 107%;">Martin Bodilsen Kaldahl: Orange
Accumulation - Spatial Drawing # 62/ 2020. 2–part sculpture. </span><span lang="EN-US" style="color: #141414; line-height: 107%;">H 77 x L 92 x W 59 cm</span><span lang="EN-US" style="color: #141414; line-height: 107%;">.</span><span lang="EN-US" style="line-height: 107%;"> </span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2xfOp7K8w7lNreLRIysVz4pnL5Rxuvnw8xqBgWKjJohZfU-_vej2N4LsObyTiEuQ0ZDrgiSulIwoX2Y0rz8Kpe1je6wYxP3fOB213a2djimIutDDzSTpMcAwerTpR-4PRcldBDLDQdtP2/s2048/martin+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2xfOp7K8w7lNreLRIysVz4pnL5Rxuvnw8xqBgWKjJohZfU-_vej2N4LsObyTiEuQ0ZDrgiSulIwoX2Y0rz8Kpe1je6wYxP3fOB213a2djimIutDDzSTpMcAwerTpR-4PRcldBDLDQdtP2/w426-h640/martin+2.jpg" width="426" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span lang="EN-US" style="line-height: 107%;">Martin Bodilsen Kaldahl: Orange
Accumulation - Spatial Drawing # 62/ 2020. Detail of 2–part sculpture.</span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 107%;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 107%;"> </span><br /><span lang="EN-US" style="line-height: 106%;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgThqUwzump7yyEkOiLB-Dkm6WTCN3A2rVDkqPSddq4FB_YAfbLVC4yMy_59ixIEG-x5y7JnHaRNwEXshOPBCThO0bfhoGD9Fh2uvMLGJrTvNuN2QrVKvMWrQK6c7EVK9TJIciva_rDt5/s1095/Marianne+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1095" data-original-width="1054" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgThqUwzump7yyEkOiLB-Dkm6WTCN3A2rVDkqPSddq4FB_YAfbLVC4yMy_59ixIEG-x5y7JnHaRNwEXshOPBCThO0bfhoGD9Fh2uvMLGJrTvNuN2QrVKvMWrQK6c7EVK9TJIciva_rDt5/w272-h283/Marianne+1.jpg" width="272" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span lang="EN-US" style="color: #333333; line-height: 106%;">Marianne Nielsen: Pair/ 2018. H 40 x W 40 x D 1,5 cm. Glazed stoneware. Detail of <span style="background: white;">24 - part wall installation. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="color: #333333; line-height: 106%;"><span style="background: white;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #333333;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK1N-E0ffGIfK-670PHZoIekxKjYJpcMhuxEG3a8DwI_2unBoY_bQFRIXWfe2iCEdvzNE0njy0ddKmXXpkU1AK4n0_s_cYAcLsvy6j-rI_AKeT1a8kzTSAeWgAY7rlJOHubA0kKy-dmpti/s2048/Marianne+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK1N-E0ffGIfK-670PHZoIekxKjYJpcMhuxEG3a8DwI_2unBoY_bQFRIXWfe2iCEdvzNE0njy0ddKmXXpkU1AK4n0_s_cYAcLsvy6j-rI_AKeT1a8kzTSAeWgAY7rlJOHubA0kKy-dmpti/w426-h640/Marianne+2.jpg" width="426" /></a></div><br /><span lang="EN-US" style="line-height: 106%;"><span lang="EN-US" style="color: #333333; line-height: 106%;">Marianne Nielsen: Pair/ 2018. Glazed stoneware. Detail of 24 - part wall
installation. </span></span></div><br /></span></span></div></span><b><span style="font-size: x-small;"><br /></span></b></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgctM8sVC0K99Jspb4QZ8p5j-ZsVN0XKfgJHCXOqUPOAiDrb5eQy4t492di_OBBY-vS_dspyLK1t5ws3CgIW_PPeT0Tp7bXMRi1l_VGUvy50Jh4U_Cida9XeR8otAtAaY0nua3RsK9jeHG6/s1252/Turi+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1040" data-original-width="1252" height="371" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgctM8sVC0K99Jspb4QZ8p5j-ZsVN0XKfgJHCXOqUPOAiDrb5eQy4t492di_OBBY-vS_dspyLK1t5ws3CgIW_PPeT0Tp7bXMRi1l_VGUvy50Jh4U_Cida9XeR8otAtAaY0nua3RsK9jeHG6/w446-h371/Turi+1.jpg" width="446" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;">T</span></span><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;">uri Heisselberg Pedersen: “Objects
for a dreamscape” 2021. H 35 x W 16 x D 16 cm, H 52 x W 23 x D 16 cm, H 17 x w 17
x D 13 cm. Stoneware with slipglaze. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;"><br /></span></span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjelO4VqaNTlOJ2gp5vVhXn4Xsb9OSBaXckh2wSEY3QgdfamCMpS3HaX-Gfo_rOlr-tJA0UsHRmmZbpeSzvmVLG77PrU1V0uwNMCagTkLpTo_Y4vxbgd232_MOvBpBxYQaHJPSWb9Y5eLUS/s2048/Turi+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjelO4VqaNTlOJ2gp5vVhXn4Xsb9OSBaXckh2wSEY3QgdfamCMpS3HaX-Gfo_rOlr-tJA0UsHRmmZbpeSzvmVLG77PrU1V0uwNMCagTkLpTo_Y4vxbgd232_MOvBpBxYQaHJPSWb9Y5eLUS/w426-h640/Turi+2.jpg" width="426" /></a></div><br /><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;">Turi Heisselberg Pedersen: “Objects
for a dreamscape” 2021. Detail blue object. Stoneware with slipglaze. </span></span></div><div style="text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;"><br /></span></span></div><div style="text-align: center;"><span lang="EN-US" style="line-height: 106%;"><span style="font-size: x-small;"><br /></span></span></div></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4kj9TPiMes_mgrc1Q-QOkwxyqjQepQ0KJI-AMQzU6VufB1ssdw-vcztPDhCesYfFjr0IjZw1PAst4YdirG7iGptmd0IrPtDsDdSnBSWLqI80W4JaMpZkbcXJnd3pnNSI-nNEsiiTBQQ_x/s1211/Pernille+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1211" height="439" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4kj9TPiMes_mgrc1Q-QOkwxyqjQepQ0KJI-AMQzU6VufB1ssdw-vcztPDhCesYfFjr0IjZw1PAst4YdirG7iGptmd0IrPtDsDdSnBSWLqI80W4JaMpZkbcXJnd3pnNSI-nNEsiiTBQQ_x/w518-h439/Pernille+1.jpg" width="518" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US"><span style="font-family: courier; font-size: x-small;">Pernille Pontoppidan Pedersen: </span><span style="font-family: courier; font-size: x-small;">Kin is in making,
2021 H 81 x W 80 x D 60 cm. Glazed stoneware and pallet. </span></span></div><div class="separator" style="clear: both; text-align: center;"><span lang="EN-US"><span style="font-family: courier; font-size: x-small;"><br /></span></span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHQNplm8s8zYANwUsgq7SP82nm8O-OLQOyhlWLUd_8voXlRrmGHaBbOEohvH60dpxOixt31YZDT4a8bp_jOIiNSEktyCoV1v7Xxo5trfhMPAp358ND-bChIuxDpqmLptYYdP8y9wWiRT4U/s2048/Pernille+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHQNplm8s8zYANwUsgq7SP82nm8O-OLQOyhlWLUd_8voXlRrmGHaBbOEohvH60dpxOixt31YZDT4a8bp_jOIiNSEktyCoV1v7Xxo5trfhMPAp358ND-bChIuxDpqmLptYYdP8y9wWiRT4U/w426-h640/Pernille+2.jpg" width="426" /></a></div><p style="text-align: center;"><span lang="EN-US"><span style="font-family: courier; font-size: x-small;">Pernille Pontoppidan Pedersen: Kin is in making,
2021. Detail. </span></span></p><p style="text-align: center;"><span lang="EN-US"><span style="font-family: courier; font-size: x-small;"><br /></span></span></p><p style="text-align: center;"><span lang="EN-US"><span style="font-family: courier; font-size: x-small;"><br /></span></span></p><p style="text-align: center;"><span lang="EN-US"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0JSA4h-uU_EGt8mSW6jv7C7hkL8wiX0aLIBdCOSdxJrWyrHzXUeqX_XkRNtpD8Q8R-oN2IcZj-H3FRTip4Cy8F9VhnrEtfpYpcxnHolRyijzbCpYMPs1xN7NtBZnRrmDuawRxoZDu_O6N/s2048/Bente+2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0JSA4h-uU_EGt8mSW6jv7C7hkL8wiX0aLIBdCOSdxJrWyrHzXUeqX_XkRNtpD8Q8R-oN2IcZj-H3FRTip4Cy8F9VhnrEtfpYpcxnHolRyijzbCpYMPs1xN7NtBZnRrmDuawRxoZDu_O6N/w286-h430/Bente+2.jpg" width="286" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-family: courier; font-size: x-small;"><div style="text-align: center;">Bente Skjøttgaard: Rose yellow Fullerene #2118, 2021. H 49 x W 22 x D 20 cm. Stoneware and glaze. </div></span><div class="separator" style="clear: both; text-align: center;"><span style="font-family: courier; font-size: x-small;"><br /></span></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiihFM1rl0iChx5TeSUcSp9tlDRzPGlsW9n-JTOtvFhlQuB7UMp3VKW8G2tA-kVDR83oedc-1QJTEl5dhXkZMAOF13estx0IskrMVYEf0rM_kTtHvqMJngHBIywiur3iWRljfiHRLfAQ0nu/s1239/Bente+1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="711" data-original-width="1239" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiihFM1rl0iChx5TeSUcSp9tlDRzPGlsW9n-JTOtvFhlQuB7UMp3VKW8G2tA-kVDR83oedc-1QJTEl5dhXkZMAOF13estx0IskrMVYEf0rM_kTtHvqMJngHBIywiur3iWRljfiHRLfAQ0nu/w640-h368/Bente+1.jpg" width="640" /></a></div><br /><div style="text-align: center;"><span style="font-family: courier; font-size: small;">Bente Skjøttgaard: Group
of 7 Fullerenes 2021. H 49 - 59 cm. Stoneware and glaze.</span><span style="font-family: courier; font-size: small;"> </span></div><div style="text-align: center;"><span style="font-family: courier; font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-family: courier; font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-family: courier; font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-family: courier; font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-family: courier; font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-family: courier; font-size: small;"><br /></span></div><div style="text-align: center;"><span style="font-family: courier; font-size: small;"><br /></span></div><p></p>copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-11359255448285300692019-05-06T12:36:00.002+02:002019-06-30T23:44:55.833+02:00Copenhagen Ceramics Newsletter May 2019<br />
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<i><span lang="EN-US" style="font-size: 18.0pt; mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">CERAMIC
MOMENTUM – Staging the Object</span></span></i></div>
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<span lang="EN-US" style="font-size: 18.0pt; mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">CLAY Museum of Ceramic Art <o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-size: 18.0pt; mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">Middelfart, Denmark. <o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-size: 18.0pt; mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">11 May – 3 November 2019<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">It is a
great pleasure for us to announce the opening shortly of this big international
exhibition of contemporary ceramics at CLAY Museum of Ceramic Art.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">As curators
of the exhibition Copenhagen Ceramics has put focus on the contemporary
international ceramics scene viewed in the light of the current global exchange
of images and inspiration that flows non-stop through various social media,
etc. The parallel digital life of the actual works, you might say.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">We have
selected works by 23 artists from Denmark and abroad. Artists who consciously,
in widely different ways, are incorporating their own day and age<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">into the
expression of their works. In sculptures, pots, objects, tableaux, etc. In
works which clearly speak of great involvement in and understanding of the
material and its potential.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="mso-ansi-language: EN-US;"><span style="font-family: "courier new" , "courier" , monospace;">The exhibiting
artists are:<o:p></o:p></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="color: black; letter-spacing: 0pt;">Anton Alvarez (SE/CL),
Karen Bennicke (DK), Martin Bodilsen Kaldahl (DK), Nils Erichsen Martin (NO),
Michael Geertsen (DK), Mia E Göransson (SE), Carl Emil Jacobsen (DK)<b>, </b>Ole
Jensen (DK), Gitte Jungersen (DK), Marianne Krumbach (DK), Takuro Kuwata (JP),
Turi Heisselberg Petersen (DK), Steen Ipsen (DK), Morten Løbner Espersen (DK),
Marianne Nielsen (DK), Pernille Pontoppidan Petersen (DK), Anders Ruhwald
(US/DK), Christina Schou Christensen (DK), Bente Skjøttgaard (DK), Linda Sormin
(US/TH), Marit Tingleff (NO), Anne Tophøj (DK) and Matt Wedel (US). </span><span lang="EN-US" style="color: black; letter-spacing: 0pt;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="color: windowtext; letter-spacing: 0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Helvetica Neue";"><span style="font-family: "courier new" , "courier" , monospace;">The very character
of the work is central – the finished ceramic object which is the result of a
long-term focused work with the concepts, techniques and materials.<o:p></o:p></span></span></div>
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100 ceramic works, the exhibition invites you to take a closer look at both new
connections and differences between the works and at the rôle assumed by the
works in both the local and the globalized world.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;"><span style="font-family: "courier new" , "courier" , monospace;">The
exhibition is the result of a close collaboration between CLAY Museum of
Ceramic Art and Copenhagen Ceramics. The scenography of the show has been put
in the hands of exhibition-designer Johan Carlsson of JAC studios. Concept and
lay–out of the accompanying catalogue (to be published at the end of June 2019) is by graphic designer, Henrik Kubel (A2/SW/HK, London), who throughout all
the years of Copenhagen Ceramics, <span style="color: windowtext;">brilliantly
has been in charge of our graphic profile. <o:p></o:p></span></span></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;"><span style="font-family: "courier new" , "courier" , monospace;">The
exhibition is generously supported by the Annie and Otto Johs. Detlefs
Foundation (OJD).<o:p></o:p></span></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;"><span style="font-family: "courier new" , "courier" , monospace;">We hope you
might find the time to pass by CLAY Museum of Ceramic Art during the summer or
autumn period. We guarantee a great and extraordinary experience in the varied
ceramic landscape drawn by up the exhibition.<o:p></o:p></span></span></div>
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regards<o:p></o:p></span></span></div>
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Ceramics<o:p></o:p></span></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;"><span style="font-family: "courier new" , "courier" , monospace;">Bente
Skjøttgaard, Steen Ipsen <span style="color: windowtext;">and Martin Bodilsen
Kaldahl<o:p></o:p></span></span></span></div>
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="color: windowtext;"><b>Photoes from the exhibition by Jeppe Gudmundsen-Holmgreen:</b></span></span></span><br />
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<span lang="EN-GB"><span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Matt Wedel,
US: Flower Tree, 2014. 107 x 93 x 122 cm. Fired clay and glaze. </span></span><span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Courtesy of L. A. Louver, Venice, California.</span><span style="color: red;"><o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Martin
Bodilsen Kaldahl, DK: Spatial Drawing #18, 2017. 68 x 49 x 51 cm. Glazed
earthenware.</span></div>
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Drawing #20, 2017. 166 x 55 cm. Earthenware with slips (Works made at The
Danish National Workshops).</span></span><br />
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<span style="font-size: x-small;"> <span style="font-family: "courier new" , "courier" , monospace;">Morten Løbner Espersen, DK: Moon Jar #2171,
2019. <span lang="EN-US">Stoneware
and Glaze. Detail.</span></span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Morten Løbner
Espersen, DK: Group of Moon Jars, 2019.
All 44 x 44 cm. Stoneware and glaze.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace;"> <span style="font-size: x-small;">Mia E Göransson, SE: Travers, 2018. <span lang="EN-US">71 x 60 x 29 cm. </span><span lang="EN-GB">Sugar Landscape, 2018. 54 x 100 x 32 cm. Porcelain</span></span></span><span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">and earthenware. Shelf in wood and metal.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Carl Emil Jacobsen,
DK: Group of Powder Variations. Red Powder #9, 2017. 60 x 85 x 85 cm.</span></div>
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<span lang="EN-US" style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;">Pink Powder #4, 2017.
54 x 100 x 50 cm. Dark Red Powder Variation #2, 2017. 85 x 60 x 60 cm. Acrylic, fiber concrete, pigments from
crushed bricks, polystyrene, steel.</span><o:p></o:p></span><br />
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<span style="font-size: x-small;"> <span style="font-family: "courier new" , "courier" , monospace;">Anton
Alvarez, SE/CL: Group of extruded works, 2018. Colored porcelain and glazed
ceramic. </span></span><br />
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<span style="font-size: x-small;"> <span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-GB">Steen Ipsen,
DK: Organic Movement 2, 2015. 63 x 60 cm. White glazed earthenware with black
decal decoration. </span><span lang="EN-US">(Work made at The Danish National Workshops)</span></span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"> Nils Erichsen Martin,
NO: Group of works of Cody Lundin and Dave Canterbury, 2018. Earthenware.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Pernille Pontoppidan
Pedersen, DK: Nickel dipping from heights unknown, 2013. 36 x 28 x 25 cm.</span></div>
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<span lang="EN-US" style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;">Monolith 90,
2015/2018. 90 x 65 x 30 cm. Honey Pie, 2016. 42 x 100 x 100 cm. Glazed Ceramic.</span><o:p></o:p></span><br />
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<span style="font-size: x-small;"> <span style="font-family: "courier new" , "courier" , monospace;">Ole Jensen, DK: Primal
Pottery Project, 2016. Glazed earthenware.</span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Marit
Tingleff, NO: Ornamental Double, Green, 2019. 89 x 118 x 20 cm and Ornamental
Double, Blue, 2019. 86 x 120x 20 cm. Earthenware. Transparent glaze, recycled
glass.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Gitte
Jungersen, DK: Everything Changes and Nothing Stands Still #10, 2019. 151 x 94 x 5 and Everything Changes and
Nothing Stands Still #11, 2019. 151 x 89 x 5 cm. Three different glazes in
several layers. (Works made at The Danish National Workshops)</span><br />
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<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;"> <span style="font-size: x-small;">Turi Heisselberg
Pedersen, DK: Group of untitled sculptures, 2018. Slip glazed stoneware.</span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Takura Kuwata, JP: Tea Bowl, 2016. <span lang="EN-US">9 x 13 x 12. Porcelain,
glaze pigment, platinum. Courtesy of Kosaku Kanechika.</span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Marianne Nielsen, DK: Pair 2018. <span lang="EN-US">Glazed stoneware.</span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Anne Tophøj, DK: Canteen head-setting. Food tray reflection, 2019. Cast porcelain.</span><br />
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<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small; text-align: center;">Anne Tophøj, DK: Canteen head-setting. Food tray reflection, 2019. Cast porcelain.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Karen Bennicke, DK:
Urban Complex – III, IX, VIII, 2015
-2017. Terracotta and glazed earthenware.</span><br />
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<span style="font-size: x-small;"> </span><span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Marianne
Krumbach, DK: State´s #5, #1, #2, #4, #6, 2018. #3, 2019. From Outside, #9,
2018. Glazed stoneware.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Linda Sormin, CA/TH:
Sketch for Wet Dream Architecture, 2017. 74 x 100 x 77 cm. Glazed ceramic,
discarded 3D prints.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Bente Skjøttgaard, DK:
Nature of Glaze #1801, #1802, #1803, 2018. Glazed stoneware.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Michael
Geertsen, DK: Wall object, 2008. 45 x 120 cm. Glazed earthenware. (Private
Collection)</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Christina
Schou Christensen, DK: Group of objects with fluid glaze, 2017. Stoneware and
glaze. Curtesy of the artist and the Danish Arts Foundation´s collection.</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Anders
Ruhwald, US/DK: Group of works, 2017. Glazed earthenware. Courtesy of Morán Morán
Gallery, Los Angeles</span><br />
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;">Exhibition design: Jac Studios</span></div>
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<span style="font-family: "courier new" , "courier" , monospace; font-size: x-small;"><span lang="EN-GB">Matt Wedel,
US: Flower Tree, 2015. 111 x 119 x 122 cm. Fired clay and glaze. </span><span lang="EN-US">Courtesy of L. A. Louver,
Venice, California.</span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-GB" style="mso-ansi-language: EN-GB;">Read more
at: <a href="http://claymuseum.dk/">claymuseum.dk</a></span></span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-40453319899478104102016-05-13T09:40:00.000+02:002016-05-13T10:03:44.916+02:00Copenhagen Ceramics at Galleria Salvatore Lanteri, Milano 2016<div class="separator" style="clear: both; text-align: center;">
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<div style="text-align: center;">
<span style="font-family: "courier new" , "courier" , monospace;">Anders Ruhwald</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Bente Skjøttgaard</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Kristine Tillge Lund </span></div>
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<span style="font-family: "courier new" , "courier" , monospace; text-align: center;"> Marianne Nielsen</span></div>
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<div style="text-align: center;">
<span style="text-align: center;"> </span><span style="font-family: "courier new" , "courier" , monospace; text-align: center;">Martin Bodilsen Kaldahl</span></div>
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<span style="text-align: center;"> </span><span style="font-family: "courier new" , "courier" , monospace; text-align: center;">Morten Løbner Espersen</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Steen Ipsen</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Exhibition design Johan Carlsson, JAC studios</span></div>
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<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-61482056882766684892016-02-22T17:46:00.000+01:002016-03-11T13:46:32.261+01:00Copenhagen Ceramics Invites<div class="MsoNormal" style="background-color: white; color: #666666; font-size: 13.2px; line-height: 18.48px;">
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<span style="font-family: "courier new" , "courier" , monospace;">Press Release and</span></div>
<span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace; font-size: small; font-weight: normal;">Highress images for download:</span></span><br />
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<img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrreDKtuGUUw5ZVO0A7ubyZyYlV6L5BtXYpihfhGv1ESCl50-QIVeGzFW5xMPqdDxjhCOgTNH1igRPV7J60J9szICvP3bGqGe_mMH65iLBpdD_J6-7PX1ibvD6brWgiQLMOEOpJPSzAsWh/s320/Steen+Ipsen.jpg" style="background-color: transparent; line-height: 18.48px;" width="212" /></h2>
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<span style="font-family: "courier new" , "courier" , monospace;">Steen Ipsen: Tied-Up
4/12. Black glazed earthenware with red PVC. H 65 x W 33 cm. Photo: Ole Akhøj.</span></div>
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<span lang="EN-US" style="font-family: "courier new"; font-size: 12.0pt;"><a href="http://www.copenhagenceramics.com/files/milano/Steen-Ipsen.jpg" target="_blank">Download high-res image<o:p></o:p></a></span></div>
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<span lang="EN-US"><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;"> </span></span><span lang="EN-US" style="background-color: white; font-family: "courier new" , "courier" , monospace;">Marianne Nielsen: </span><span lang="EN" style="background-color: white; color: #212121; font-family: "courier new" , "courier" , monospace;">Chrysanthemum </span><span lang="EN-US" style="background-color: white; font-family: "courier new" , "courier" , monospace;">2013. Stoneware with glaze. H 4, 5 x dia 18 cm. Photo: Jeppe Gudmundsen-Holmgreen.</span></span></div>
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<span lang="EN-US" style="font-family: "courier new"; font-size: 12.0pt;"><a href="http://www.copenhagenceramics.com/files/milano/Marianne-Nielsen.jpg" target="_blank">Download high-res image</a><o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: x-small;"><span style="font-family: "courier new" , "courier" , monospace;"> </span></span><span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;">Anders Ruhwald: Source #2 / 2015. Glazed
ceramic, steel, lamp components. H 162 x dia 40.5 cm. </span></span><span style="font-family: "courier new" , "courier" , monospace;">Courtesy of Volume Gallery, Chicago.</span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Kristine Tillge Lund: CHINA. Installation view. Left: Snail and Taurus. Photogravuere. Right: China. Various porcelain. Photo: Alf-Georg Dannevig.</span></div>
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<span lang="EN-US" style="font-family: "courier new"; font-size: 12.0pt;"><a href="http://www.copenhagenceramics.com/files/milano/Kristine-Tillge-Lund.jpg" target="_blank">Download high-res image</a><o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Morten Løbner Espersen: #1861. Glutony. Stoneware and glazes. H 40 cm x dia 25 cm. 2015. Photo: Holger Niehaus.</span></div>
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<span lang="EN-US" style="font-family: "courier new"; font-size: 12.0pt;"><a href="http://www.copenhagenceramics.com/files/milano/Morten-Lobner-Espersen.jpg" target="_blank">Download high-res image</a></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Bente Skjøttgaard: White species no 1602, 2016. Stoneware and glaze. H 32 x L 48 x W 39 cm. Photo: Ole Akhøj.</span></div>
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<span lang="EN-US" style="font-family: "courier new"; font-size: 12.0pt;"><a href="http://www.copenhagenceramics.com/files/milano/Bente-Skjottgaard.JPG" target="_blank">Download high-res image</a><o:p></o:p></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="color: #192228; mso-ansi-language: EN-US;">Martin
Bodilsen Kaldahl: Gallery Format installation image - detail. Work <strong><span style="font-weight: normal;">1</span></strong><strong>:</strong> Particles, 21 spheres of
varying size (dia 8 - 28 cm). Glazed and unglazed ceramic. Work <strong><span style="font-weight: normal;">2:</span></strong>
As It Happened - an Oslo Line. Unglazed ceramic. Length 950 cm, 2015. Photo: <strong><span style="font-weight: normal;">Markus
Li Stensrud.</span></strong></span><span lang="EN-US"><o:p></o:p></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US" style="color: #192228; mso-ansi-language: EN-US;"><b style="color: black; font-family: 'Courier New', Courier, monospace;"><a href="http://www.copenhagenceramics.com/files/milano/pressebilleder.zip">Download all high-res images in zip compressed folder</a></b></span></span></div>
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<span lang="EN-US" style="color: red;"><span style="font-family: "courier new" , "courier" , monospace;"><span style="background-color: white; color: black; line-height: 18.48px; text-align: -webkit-center;">The exhibition runs from April 12 to May 14</span></span></span><br />
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<span style="font-family: "courier new" , "courier" , monospace;">Press preview will be held on Wednesday 13 April from 15 - 17 at the gallery</span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><br /></span>
<a href="http://www.gallerialanteri.com/" style="background-color: white; font-family: 'courier new', courier, monospace; line-height: 18.48px; text-align: -webkit-center;"><span lang="EN-US" style="color: black;">www.gallerialanteri.com</span></a></div>
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<span lang="EN-US" style="color: red;"><span style="font-family: "courier new" , "courier" , monospace;">Press Release</span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">During the Milan Design Week
2016 Copenhagen Ceramics - in close collaboration with Galleria Salvatore
Lanteri - is proud to be presenting a show of new works by a group of Denmark’s
foremost ceramic artists. The exhibition aims to highlight current developments
on the contemporary scene of ceramic art and to show how, at the age of the
digital and dematerialization, clay continues to inspire, to reinvent itself,
and pushes artists towards new experimentations.</span><br />
<span style="font-family: "courier new" , "courier" , monospace;"><br /></span>
<span lang="EN-US" style="background: white;"><span style="font-family: Courier New, Courier, monospace;">The
boundaries between craft, design and fine art seem increasingly blurred and the
works in this exhibition are all in this field of cross-over and interrelationship.
You might say that what connects the projects is a special interest in one particular
matter - clay. Clay as a historical
medium rooted in ancient cultural traditions ...clay as an</span></span><span lang="EN-US"><span style="font-family: Courier New, Courier, monospace;"> amorphous material of incomparable
formability... fired clay as an exquisite richness of texture and colour. Clay
epitomizes materiality and tactility and the recent surge of interest in ceramics
as artistic medium reflects a new position: a need for a hands-on approach seen in the
light of the digital revolution. </span></span><br />
<span lang="EN-US"><span style="font-family: Courier New, Courier, monospace;"><br /></span></span>
<span style="font-family: 'courier new', courier, monospace;">All artists in the show are well established and are
showing their work in museums and galleries worldwide on a regular basis. They
represent the generations of artists where professional engagement with an
international audience has become as important as the home market.</span></div>
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<span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;">So why do we curate a group exhibition of Danish
ceramics only? Can you still speak of particular Danish characteristics,
influenced by tradition and some common background? This exhibition certainly shows
a rich variety of expressions and statements: seven very different approaches
to the art of ceramics.<o:p></o:p></span></span></div>
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<span style="color: red; font-family: "courier new" , "courier" , monospace;">About the Artists </span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Anders Ruhwald’s</span><span style="font-family: "courier new" , "courier" , monospace;"> (b.1974) work explores the cultural role of objects
through contextual displacement and interchange of familiar forms, texture and
material qualities. The works are generally presented as large installations,
that comment on and question conventional ideas about what belongs respectively
in the domestic and the public sphere, discussing the very status of the object
in a contemporary setting.</span></div>
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<span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;">Bente Skjøttgaard (b.1961) makes highly textured ceramic sculptures
with an aura of equal parts toughness and her sense for an underlying poetic
delicacy. She is constantly testing the performing abilities of the raw
materials, the works relying on both her fresh, sketchy approach to modelling
in the wet clay and the unpredictability of her firings with glazes at high
temperatures. Out of her immediate control, the materials are left in the kiln to
perform on the basis of her previous experiences and her infinite curiosity for
new unexpected results. Bente Skjøttgaard keeps adding new highly personal
chapters to the infinite story that culture and nature share, whilst continuing
her exploration of ceramic possibilities. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;">Kristine Tillge Lund (b.1973) is interested in the cultural historical preconceptions
linked to the production of ceramics. She scrutinizes values inherent in the
various processes of making by enlargening particular, overlooked aspects of
the relationship between the materials’ qualities and behaviour and what
convention dictates for the finished results. What if the glaze becomes the
object itself? What if the roll of porcelain clay is fired unelaborated into
the status of an art object? Or the flawless vase is deliberately set to
produce cracks, thus denying it’s culturally agreed functional qualities?<o:p></o:p></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">Marianne Nielsen (b.1971) holds a very special position in Danish
Ceramics. In an almost nerdy way, she is preoccupied with the role of nature in
our culture. In recent years her work often has resulted in definite renderings
of natural subjects: mountains, feathers, leaves and</span> <span lang="EN-US"> now
flowers and plants. As a kind of souvenir they refer to something beyond ourselves,
being continuous, universal and something which, through its authenticity,
contains an essential beauty. Yet, the representations</span><span lang="EN-US"> </span><span lang="EN-US">of
nature are about ourselves, since they only acquire their meaning through our
particular gaze.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;">Martin Bodilsen Kaldahl’s (b.1954) ceramic sculptures are emphasizing their
simple expressive existence in space. He insists that even the most casual,
banal gesture in space can be made important through a precise formal
elaboration. In recent works he seeks to establish the conditions for creating
an intuitive, spatial form, setting up his own obstacles to avoid consciously
planning the figures. Like sculptural equivalents of semi-consciously scribbled
doodles, the works just exist as pure three-dimensional movements. A captured
account of the here and now.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: "courier new" , "courier" , monospace;">Morten Løbner Espersen (b.1965) states: ‘The vessel is my object of
choice. An archetypical form I’ve spent over 20 years making variations on,
from the functional and modest, to the aesthetic and sumptuous. Clay is my
material of choice, because it contains so many possibilities: a plastic,
amorphous material of incomparable formability that can be fired into
imperishable, precise forms’. In particular, Espersens vessels are
characterized by an exquisite richness of texture and colour obtained through
his multi-layered application of glazes.<o:p></o:p></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><span lang="EN-US">Steen Ipsen (b.1966) works with</span><span lang="EN-US" style="color: #262626;"> a ceramic expression involving both
form and decoration. In the hand-modelled sculptures the decorated patterns
seek to underline the shapes, making them stand out more clearly, thus strongly
emphasizing the movements in the objects. He is especially known for </span><span lang="EN-US">works consisting of joined, simply
coloured spherical elements, that are subsequently tied up with coloured
strings in a connecting line-pattern, resulting in an abstract and highly
spatial, sculptural expression.</span><span lang="EN-US" style="color: #262626;"><o:p></o:p></span></span><br />
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<span style="color: #fb0007; font-family: "courier new" , "courier" , monospace;">Copenhagen
Ceramics is an exhibition platform, that began its activities in 2012, with the
aim of showcasing and demonstrating the high quality and great diversity of
contemporary Danish ceramics as well as work by selected non-Danish artists.</span></div>
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<span lang="EN-US" style="color: #fb0007;"><span style="color: red; font-family: "courier new" , "courier" , monospace;"><a href="http://www.copenhagenceramics.com/">www.copenhagenceramics.com</a></span></span><br />
<span lang="EN-US" style="color: #fb0007;"><span style="font-family: "courier new" , "courier" , monospace;"><br /></span></span>
<span style="color: #fb0007; font-family: "courier new" , "courier" , monospace;">#copenhagenceramics</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-53491970503241772432016-01-26T18:04:00.000+01:002016-01-26T18:04:49.203+01:00Newsletter, January 2016<div class="MsoNormal">
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<span style="font-family: "courier new" , "courier" , monospace;">Copenhagen
Ceramics wishes all our ceramics-loving friends a very Happy New Year 2016.</span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">It is now well a year ago since we closed the gallery at Frederiksberg
in Copenhagen<o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">and decided to take a break and later continue with new initiatives
within our field.<o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">And so we did. First the pause, that maybe became a bit longer than
anticipated, and then we began working to produce a book on the three years of
Copenhagen Ceramics in Smallegade. We managed to raise the money for the
production, which is now on its way. It will present all the 27 exhibitions in
text and images and have contextualizing articles by American critic and writer,
Garth Clark, and Swedish art historian, Love Jönsson. We plan to launch the
book in April 2016.<o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">The book launch will happen in Milan on 13 April 2016 during the Design
Week in conjunction with a new CC initiative - the opening of a large exhibition
in the Salvatore Lanteri Gallery. We have been extremely fortunate to have a
beautiful, newly renovated 200 sq meter space put to our disposal during the
Design Week and the two following weeks. In collaboration with Salvo Lanteri we
plan a significant show of selected works by a group of Danish ceramicists. We
visited the gallery in December last year and were thrilled by the sight of the
space. The exhibiting artists are: Morten Løbner Espersen, Kristine Tillge
Lund, Marianne Nielsen, Anders Ruhwald, Bente Skjøttgaard, Steen Ipsen and
Martin Bodilsen Kaldahl. <o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">The coming couple of months will be busy organizing the exhibition, not
least with securing maximum press coverage – as everyone knows there is quite a
fight for attention going on during the Design Week. We look forward a lot to
the project and hope we might tempt some of you to come to Milan for the
opening and to experience some of the many other events going on there during
this special week. <o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">Milano Design Week 2016, 12-17 April<o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">Copenhagen Ceramics exhibition opening and book launch
13 April 2016<o:p></o:p></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><strong><span style="background: white; font-weight: normal;">GALLERIA SALVATORE LANTERI</span></strong><br />
<span style="background: white;">Via Venini, 85</span><br />
<span style="background: white;">20127 Milano<o:p></o:p></span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;"><a href="http://www.gallerialanteri.com/" target="_self"><span lang="EN-GB" style="background: white; color: #666666; font-size: 11pt;">www.gallerialanteri.com</span></a><u><span lang="EN-GB" style="background: white; color: #666666; font-size: 11pt;"><o:p></o:p></span></u></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">So, even if we have been fairly quiet over the past year we are still
there and dream of new projects. Obviously, this will be with larger intervals,
but we promise that you will hear more from us.<o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">Again, many thanks for your support and interest. Our website is still
fully accessible with all the exhibitions from 2012 - 2014. We update the blog at intervals and
new sign-ups for the mail list can be made at the site under contact.<o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">All best
wishes<o:p></o:p></span></span></div>
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<span lang="EN-GB"><span style="font-family: "courier new" , "courier" , monospace;">Copenhagen Ceramics</span></span></div>
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<span style="font-family: "courier new" , "courier" , monospace;">Steen
Ipsen, Bente Skjøttgaard and Martin Bodilsen Kaldahl</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW5tBWKMchFy9daj7Csp0Nx3vsNuGRmUFi8wpl_cTLRUI45ZIU37BpvUT5VCHyerMltFTuTwcgbjnU4dQ1dpdNEX1ZnWnbtZVYJT87NLQtwzoZyzbHF305D2BUsN3QjUszGBPte7mnQi_W/s1600/WP_20151210_14_12_30_Pro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW5tBWKMchFy9daj7Csp0Nx3vsNuGRmUFi8wpl_cTLRUI45ZIU37BpvUT5VCHyerMltFTuTwcgbjnU4dQ1dpdNEX1ZnWnbtZVYJT87NLQtwzoZyzbHF305D2BUsN3QjUszGBPte7mnQi_W/s640/WP_20151210_14_12_30_Pro.jpg" width="640" /></a></div>
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CC <span style="font-family: "courier new" , "courier" , monospace;">in Milan</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-7746637599573631702015-01-13T14:41:00.001+01:002015-01-13T14:43:55.801+01:00Final Press Release: December 2014<span class="name_colour" style="background-color: #dfdfdf; color: #e10000; font-family: MemphisSansRegular; font-size: 15.4545450210571px;"><br /></span>
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<span style="font-family: Courier New, Courier, monospace;">After three fantastic years in the gallery space at Smallegade,
Frederiksberg in Copenhagen the time has now come for Copenhagen Ceramics to
move on and enter a new phase.<br />
<br />
27 very different exhibitions have been shown over these three years and - as
anyone having followed CC can testify – the great diversity of expressions
within contemporary ceramics has been thoroughly demonstrated. The mediation
and rendering visible of this has precisely been our intention and we are very
thankful for the huge support and interest, that all our guests and followers
have given to the project, in Denmark and internationally.<br />
<br />
The gallery space at the back premises of Smallegade 46, Frederiksberg in
Copenhagen was closed by the end of season 2014 and the initiators of the
Copenhagen Ceramics project are currently working to establish new ways of
presenting contemporary ceramics in Denmark and internationally. <o:p></o:p></span></div>
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<span lang="EN-US"><span style="font-family: Courier New, Courier, monospace;">You can
follow news about the project by visiting this blog and you can still sign up
for newsletters by filling in the form under contact at our webside <a href="http://www.copenhagenceramics.com/html/contact_2014.php">www.copenhagenceramics.com</a> </span></span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Our website
will stay active and here you will continuously be able to see all our
exhibitions and read press releases for all 27 shows of 2012, 2013 and
2014. </span></div>
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<span lang="EN-US"><span style="font-family: Courier New, Courier, monospace;">
<br />
With very best regards<br />
<br />
Bente Skjøttgaard, Steen Ipsen og Martin Bodilsen Kaldahl<br />
Copenhagen Ceramics</span><o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVSVToWgb-TIexbKOdVR8dZt-R4Tk4wASvRKGxAnEJ7nSJwQN_AT8F31Rs1nJF9SAp9Kqs4TKu5JBIu885CRnZUGyrUWorvx9LzF2gjrIujxbLxegLBDrUiUGgBAAUQ2v1pyyeZKS2Hp_b/s1600/WP_20140508_20_34_36_Pro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVSVToWgb-TIexbKOdVR8dZt-R4Tk4wASvRKGxAnEJ7nSJwQN_AT8F31Rs1nJF9SAp9Kqs4TKu5JBIu885CRnZUGyrUWorvx9LzF2gjrIujxbLxegLBDrUiUGgBAAUQ2v1pyyeZKS2Hp_b/s1600/WP_20140508_20_34_36_Pro.jpg" height="360" width="640" /></a></div>
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<span lang="EN-US"><span style="font-family: Courier New, Courier, monospace;">On a research trip to London, work by Clare Twomey</span></span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-32036087157637895302014-12-20T18:09:00.001+01:002014-12-20T18:14:45.914+01:00God jul og GODT NYTÅR 2015!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfz9AB6H_SEBIZ9fKo49m3pPl5gBN7_E3ZoH63GiErnkDgnghJ6TCK1XGjhaSsTA6MfBqo4xYR21H-E97Sx5TR4Uhkjs2i1toDzNJn3HWBRbLAhwNPj80bBMfPAU9aNj6F7A5twUmAgwbD/s1600/WP_20141219_11_26_33_Pro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfz9AB6H_SEBIZ9fKo49m3pPl5gBN7_E3ZoH63GiErnkDgnghJ6TCK1XGjhaSsTA6MfBqo4xYR21H-E97Sx5TR4Uhkjs2i1toDzNJn3HWBRbLAhwNPj80bBMfPAU9aNj6F7A5twUmAgwbD/s1600/WP_20141219_11_26_33_Pro.jpg" height="640" width="360" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">God jul og GODT NYTÅR fra Copenhagen Ceramics</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Tak for 3 år i Smallegade!</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Efter 3 fantastiske år i baghuset i Smallegade 46 er det tid
til for Copenhagen Ceramics at gå ind i en ny fase.</span><br />
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<span style="font-family: 'Courier New', Courier, monospace;">Det
er blevet til 27 meget forskelligartede udstillinger over de tre år, og som alle
der har set vores udstillinger kan bevidne, er den store diversitet i udtryk
indenfor den nutidige keramik blevet grundigt demonstreret.</span><br />
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<span style="font-family: 'Courier New', Courier, monospace;">Netop synliggørelsen
af dette har været vores hensigt og vi er meget taknemmelige for den store
opbakning, som I har givet projektet.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Vi vil også igen benytte
lejligheden til at takke den række af institutioner og fonde, som rent økonomisk
har muliggjort alle disse udstillinger (man kan se navnene på vores
hjemmeside).</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Vores hjemmeside <a href="http://copenhagenceramics.us4.list-manage.com/track/click?u=7aa784af6d802f59cab29e5d9&id=4f68d0c0fd&e=10193799b3" style="color: blue;">www.copenhagenceramics.com</a> vil fortsat være aktiv, hvor man vil kunne se alle vores udstillinger og læse
de mange pressetekster. Man kan fortsat tilmelde sig vores mailingliste for at
holde sig informeret om kommende nye tiltag.</span></div>
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<strong><span style="font-family: Courier New, Courier, monospace;"><strong>Copenhagen Ceramics </strong>går i gang med at nytænke og undersøge mulighederne for at vise den
nutidige keramik her i landet og evt. i udlandet. Vi har op til flere ideer om,
hvordan vi kommer videre med noget nyt.</span></strong><br />
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<span style="font-family: 'Courier New', Courier, monospace;">De allerbedste
hilsner</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Bente Skjøttgaard, Steen Ipsen og Martin Bodilsen
Kaldahl</span><br />
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-90781977362185943562014-11-29T14:12:00.000+01:002014-11-29T14:17:09.721+01:00Fernisering på udstillingen "Ud og Hjem" med Karen Kitani Harsbo og Marianne Krumbach, torsdag den 20. november 2014<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Udstillingen åbnes af Mikkel Bogh, </span><span style="font-family: 'Courier New', Courier, monospace;">direktør for Statens Museum for</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Kunst</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Marianne Krumbach og Karen Kitani Harsbo </span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Karen Kitani Harsbo</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Marianne Krumbach</span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Karen K Harsbo og Marianne Krumbach: Ud og Hjem</span><span style="font-family: 'Courier New', Courier, monospace;"><br /></span><br />
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<span style="font-family: 'Courier New', Courier, monospace;">Åbningstale d. 20.11. 2014 k. 17. </span><br />
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<span style="font-family: Courier New, Courier, monospace;">Keramik er et materiale eller en teknik med nærmest uudtømmelige anvendelsesmuligheder. Det er langt inde i kroppen, når det anvendes i hofteproteser, tæt på hverdagslivet når det bruges i husholdningen, i arkitekturen og i bilens tændrør, og er i øvrigt en uundværlig del af industriens produktionsapparat - og det langt ude i rummet, når det anvendes til beklædning af rumfærger og satellitter. Keramik kommer vidt omkring. Keramik rejser. <br /><br />Men fra keramikken er der aldrig langt tilbage til udgangspunktet, til jorden, nærmere bestemt: til leret. For det er det vi taler om, når vi taler om keramik: brændt ler, ler, den mest mineralske del af jordlaget, der udsat for høje temperaturer bliver hårdt og ekstrem holdbart samtidig med at det har en skrøbelighed, der betyder at det kan smuldre og blive til mineralsk støv. Dets udgangspunkt i det formbare og billige ler er uden tvivl også grunden til, at keramik gennem næsten 7.000 år har været en udbredt teknik og et materiale, som kunne indgå i det praktiske, dagligdags liv. Dets formbarhed, kombineret med en høj bestandighed, har gjort og gør det stadigvæk ekstremt egnet til at modtage og bære allehånde menneskelige aftryk, i form af såvel dekorative og ornamentale som symbolske tegn. Som små talende kroppe, der næsten forlænger menneskets egen krop. Keramik har således fra starten tjent både praktiske, kommunikative og æstetiske formål. <br /><br />Keramik er praktisk æstetisk, tæt på hånden, ofte også tæt på hjemmet. Keramik kan være – og har i årtusinder været – brug og form: På den ene side knyttet til behov for opbevaring, beskyttelse og transport, uløseligt forbundet med både husligt arbejde og bevægelse gennem tid og rum, og på den anden side et redskab til kommunikation og udsmykning, som bærer billeder, ornamenter, skrift og andre tegn, der fortæller om den keramiske forms indhold, funktion, bevægelsesmønster eller værdi. <br /><br />Når to keramikere og keramisk arbejdende kunstnere som Karen K Harsbo og Marianne Krumbach arbejder med brændt ler, befinder vi os ikke længere inden for den funktionelle keramiks område. Men keramikkens historie, dens udvikling, dens kulturelle funktion er alligevel til stede som en del af materialet. Udstillingen Ud og Hjem refererer til de to projekters tematiske arbejde med to territorier: Det hjemlige, intime territorium og det større territorium, som er rejsens, det åbne landskab, kortet, drømmen om bevægelse mellem steder i et udstrakt rum. Men Ud og Hjem hentyder, i mine øjne, også til den grundlæggende funktion som keramikken – og jeg vil gå lidt videre og påstå – kunsten generelt har haft i den menneskelige kultur: dels som artefakter, der indgår i dannelsen og opretholdelsen af samfund – formgivne, undertiden også funktionsbestemte objekter som er formet af mennesker og som cirkulerer mellem mennesker og binder dem sammen – og dels som semiotiske beholder, der kommunikerer på tværs af tid og steder, udtrykker og bærer tegn og som derved leverer symboler og indhold til samfundet og kulturen. <br /><br />Ud og Hjem taler på den måde også om en basal sammenhæng mellem objekter og bevægelse, mellem kunst og teknologi, mellem håndværk og imagination. Den engelske antropolog Tim Ingold (f.eks. i bogen The Perception of the Environment) har i sit arbejde beskrevet nogle af de tætte sammenhænge, der må eksistere mellem mennesker, objekter, landskaber og handlinger og tager udgangspunkt i den antagelse, at alt hvad vi formgiver, inklusive vores sprog, er løsninger på problemer og forestillinger, der altid bliver til i sammenhæng med, i mødet med, en virkelig verden, hvori der indgår andre personer, objekter og relationer. Med denne antagelse følger en anden, nemlig: Når vi laver og former noget, laver og former vi samtidig os selv som mennesker – det menneskelige som sådan er ikke givet før det at lave, at forme – det menneskelige bliver til igennem det og dannes på den måde i en vis forstand hele tiden. Vi er ikke mennesker, vi bliver mennesker – eller rettere vi bliver det aldrig helt, for projektet er uendeligt. Der er ikke noget endemål. <br /><br />Vores kunst er, ligesom vores liv, både ude og hjemme: vi er altid i gang med at forme noget ud fra et materiale, men idet vi former, idet vi formgiver, er vi også i interaktion: med verden, med sproget, med mennesker, med genstande, med materialer. I dette møde er vi ude: ude af os selv, ude af det sted som kroppen er, ude af vores hjem. Omvendt kan også sige at vi altid er lidt hjemme: vi forlader aldrig vores krop, vores erindring, vores sted i verden, hvorfra vi og kun vi ser tingene. Forholdet mellem ude og hjemme er således betragtet lidt mere kompliceret end ofte antaget. <br /><br />Hvad angår keramikken, herunder også keramisk arbejde som kunst, der kan abstrahere lidt fra den brugsfunktion, dette materiale ofte har i vores kultur, så rummer den i sig selv dette væv af sammenhænge mellem at lave, at bo og at rejse, mellem at percipere verden gennem mødet med den og at kommunikere og danne sig som menneske og som kultur gennem produktion og cirkulationen af objekter der rejser fra hånd til hånd. Keramikken, både hvad angår dens bredspektrede anvendelser inden for industri, transport, arkitektur og husholdning, og hvad angår dens udspring i den manuelle formgivning, tilført lag af æstetisk kommunikation, er uhyre interessant at studere som inkarnationen af de intrikate sammenhænge mellem kunst, teknologi og imagination som findes overalt i vores samfund, og som kunsten, som det måske eneste sted, kan tydeliggøre, reflektere over og holde os fast på – i modsætning til de rene pragmatiske funktioners område inden for teknologien, der altid vil være mere blind for sådanne forbindelser. <br /><br />’Ud og Hjem’ handler om noget så basalt og dog så abstrakt som hvordan objekter omkring os er mere end blot en gang for alle definerede funktioner og praktiske løsninger, men også er udtryk, form, kommunikation, tegn. Og samtidig om hvordan tegnene i vores verden, udtrykkene, som vi kommunikerer med, er blevet til i et møde med og en rejse igennem en virkelig verden sammensat af virkelige udfordringer og virkelige, konkrete problemer: Keramikken er mere end noget andet stedet hvor vi har mulighed for at studerede – og hvor kunstnere fra forskellige synvinkler kan undersøge – hvordan vores liv bliver til gennem vores gøren og vores laven – i en verden af materialer og genstande. <br /><br />Med keramikken bliver vi gjort opmærksomme på, at vi altid er lidt hjemme – selv om vi hele tiden er ude af os selv.</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Mikkel Bogh</span><br />
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-5942465871693814942014-10-24T15:36:00.002+02:002014-10-26T22:04:43.281+01:00Steen Ipsen: Organic Movements. Fernisering 23. Oktober 2014<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Udstillingen åbnes af Roger Nilsson, Steen Ipsens gallerist fra Galerie NeC nilsson et chiglien i Paris.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Steen Ipsen og Roger Nilsson</span></div>
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<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-7561026538546405312014-09-30T21:47:00.001+02:002014-09-30T21:52:02.133+02:00Fernisering på udstillingen "Milevidt & tanton" med Mikael Jackson og Sophus Ejler Jepsen - Torsdag den 25 september 2014 <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: 'Courier New', Courier, monospace;">Teresa Nielsen fra Vejen Kunstmuseum holder åbningstale</span></div>
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<span style="font-family: Courier New, Courier, monospace;">mellem Sophus Ejler Jepsens værker: "beton ø" og "botanik" </span></div>
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<span style="font-family: 'Courier New', Courier, monospace;"> "Tower" af </span><span style="font-family: 'Courier New', Courier, monospace;">Mikael Jackson (med skæg)</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Sophus Ejler Jepsen</span></div>
<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-41045573100157283092014-08-29T20:21:00.000+02:002014-09-30T21:52:26.148+02:00Fernisering på udstillingen "The Collector (part 2)" med Gustaf Nordenskiöld - Torsdag den 28 august 2014 <div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Udstillingen åbnes af
Love Jönsson, kritiker og udstillingscurator ved Røhsska Museet i Göteborg</span></div>
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<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace;">Gustaf Nordenskiöld og Love Jönsson</span></div>
<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-84295008893572876172014-05-02T10:51:00.000+02:002014-05-02T15:17:18.325+02:00Fernisering på udstillingen X -Scapes med Marit Tingleff og Martin Bodilsen Kaldahl, 1 maj 2014<b><span style="font-family: MemphisSans; font-size: 12.0pt; mso-ansi-language: DA; mso-bidi-font-family: "Times PhoneticAlternate"; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS Mincho"; mso-fareast-language: JA; mso-fareast-theme-font: minor-fareast;"><br /></span></b>
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<b><span style="font-family: Courier New, Courier, monospace;">Udstillingen
åbnes af Alun Graves, curator of Ceramics på Victoria and
Albert Museet i London</span></b></div>
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Marit Tingleff (i midten)</div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-9760229941251647942014-03-29T15:49:00.000+01:002014-03-29T15:49:34.600+01:00Bente Skjøttgaard: Cumulonimbus, Fernisering 27/3 2014<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;"> Bente Skjøttgaard og Maria Lund</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Maria Lund, Bente Skjøttgaards gallerist fra Paris holder åbningstale</span> </div>
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<b><span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Åbningstale af Maria Lund:</span></span></b></div>
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<b><span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Cumulonimbus<br />
Bente Skjøttgaard – Copenhagen Ceramics, 27.03.2014<o:p></o:p></span></span></b></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Før jeg angriber dagens emne, vil jeg gerne i dette forum gentage, hvad jeg
sagde i Paris sidste sommer i forbindelse med åbningen af udstillingen <i>Terres – Copenhagen Ceramic invites</i>: Jeg
er fuld af beundring for det initiativ, som Steen Ipsen, Martin Bodilsen
Kaldahl og Bente Skjøttgaard har taget med skabelsen af platformen Copenhagen
Ceramics. I gør et enestående kæmpearbejde båret af en generøsitet, som ikke hænger
paa træerne i kunstverdenen. Det er meget flot.<o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">I næste åndedrag vil jeg takke Copenhagen Ceramics og Bente, fordi de har
inviteret mig til at forestå indvielsen af Bentes udstilling. Vi gallerister er
en sjov slags scenearbejdere hvis tilværelse mestendels leves i kulisserne, hvor
man har et ikke ubetydeligt ansvar for, at forestillingen kan gå optimalt over
brædderne og kan følge med på tætteste hold… Jeg er derfor særligt glad for at
kunne komme med nogle bemærkninger fra kulissen efter det, der nu er blevet til
10 års samarbejde med Bente – omsat til 5 udstillinger i mit galleri og blandt
andet diverse messedeltagelser, i Frankrig, England og Syd-Korea.<o:p></o:p></span></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><span style="line-height: 115%;">Jeg mødte Bentes værker, da hun i 2002 var gæst paa Corner, hvor jeg blev
betaget af hendes temmelig orgiastiske kæmpe krukker, der p</span><span style="line-height: 115%;">å en og samme tid</span><span style="line-height: 115%;"> var krukker og overdådige gevækster uden en specifik
identitet, men med en stærk form, farve og materialemæssigt udtryk. Her var
noget at se på og røre ved – og former, som fantasien kunne tænde på. Efterfølgende
kunne jeg ikke glemme dem. <o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Jeg er som mange af min generation meget præget af den danske tradition for
en blanding af bemærkelsesværdigt materiale-kendskab og stramhed i formen. Så
præget og imbiberet af det, at jeg instinktivt, ubevidst var nødt til at gøre
oprør og kaste min kærlighed på det mere barokke og overdådige – og her var
Bentes værker ude i et lignende ærinde. For nok bar og bærer hun fortsat
stramheden og den håndværksmæssige disciplins rygrad i sit arbejde, men hun
formår også at give slip og lade sig rive med af materialer og processer. Her
er vi naturligvis ovre i nogle fundamentale spørgsmaal i relation til kunst og
eksistens i det hele taget – nemlig det subtile og vanskelige spil og spændingen
mellem kontrol, vilje og intention overfor frihed og det at turde give sig hen,
at følge med ad ukendte veje…<o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Det keramiske materiale er i denne forbindelse særligt interessant. Leret er
taget direkte ud af naturen, og vi finder det i stort set alle kulturer, hvilket
giver det en særlig status som civilisations-udtryk. At den gode Adam også skabtes
af ler, som Vorherre gav åndedræt bør gøre et hvilket som helst andet materiale
grønt af misundelse, for dette er en konstituerende myte af rang, der siger
noget om ler, liv og det at skabe… Ler karakteriseres ved noget umiddelbart,
for trykker vi på det, sætter vi straks aftryk,- præger det. Keramikkens særlige alkymi er en
kilde til stadig undren og betagelse for såvel de der arbejder med den, som de
der, som jeg, blot holder af den. Vi er med den keramiske proces oppe mod
elementerne ild, luft og et mål af uforudsigelighed, der kommer til udtryk i snurrige
detaljer, som selv de dygtigste udøvere ikke altid kan forudsige eller holde i
snor. Og det er netop heri, at en del af det keramiske materiales stadige
fascinationskraft beror. Det drejer sig om noget, der undslipper os: </span></span></div>
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<span style="font-family: 'Courier New', Courier, monospace; line-height: 115%;">Udover de færdige værker,- som dem vi i dag
kan tage i øjensyn, er styrken ved Bentes arbejde det forhold, at det både er
en stadig leg og udforskning af materialet og dets uendelige muligheder samt en
form for illustration af, hvad man kunne kalde “kreativitetens væsen”. Jeg sammenligner
en gang i mellem kreativitet med det at opdage, at man har et hul i en sok.
Bortset fra det socialt “uheldige” i at have hul i sin sok, så er hullet en
mulighed. Man kan dels kigge paa det og måske finde ud af, at det ligner noget
interessant, men man kan ogsaa trække i det – gøre det større endsige føle sig
fristet til at lave endnu et hul eller to i sokken, nu hvor man er i gang… og
pludselig ligner sokken noget helt andet, og hullerne er blevet til lysende planeter
i et sokkens kosmos… eller, hvad ens fantasi nu måtte finde på… Man kunne tale
om en kæde af associationer forbundet med aktiv handlen, af en evne til at
finde et potentiale i det, der gives, tilføjes og til at bygge videre på det.</span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Bentes værk har i de sidste 12-13 år udviklet sig qua en blanding af idéer,
vilje og associationsrækker, hvor den ene skulptur synes at give impulsen og
inspirationen til den følgende indenfor en forudbestemt tematik, som har bevæget
sig fra krukken, træer og buske, over vand, geologi, klipper og senest til
skyer – men altid med en fællesnævner liggende i feltet ”natur/kultur”. <o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">På den baggrund er det ikke overraskende, at Bente nu gennem snart 5 år har
skabt som en keramikkens “Lucy in the sky”. Resultatet er blevet en imponerende
udforskning af skyers og vejrligs bevægelser og imaginære potentiale og dette i
et materiale, der om noget er væsensforskelligt fra skyers vat-lette og
omskiftelige natur… Den blanding af disciplin og stramhed i selve metoden – en
form for perfektionisme – altsaa kontrol og intention - møder her en legende
nysgerrighed, en rørende betagelse, når skaberen med en form for lykkelig
hjælpeløshed konstaterer, at materialet af og til er “freaket ud”, gået grasat. Skyerne har sat sig i bevægelse,
og glasuren er efter et hav af tests endt et fortvivlende vidunderligt, nyt
sted, som man kun kan håbe, at man med snedig afkodning kan formå at genskabe, -
hvis man ellers vil…. Andre gange er lykken, at alt gik, som Bente havde forudset
og ønsket.<o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Den foreløbige kulmination af Lucy og Bentes samarbejde er <i>Cumulonimbus</i> serien, som vi i dag kan
tage i øjensyn. Enorme lagdelte, lodrette strukturer af ler – lige som cumulonimbus
skyerne er en vertical videreudvikling af de mere lette og flygtige
cumulusskyer. Det vi meget sigende kalder “lammeskyer” for at beskrive en skrøbelig,
fluktuerende, blid krussedullestruktur… Bente er her ovre i det ultimative
skyfelt, for cumulonimbus skyer er ikke noget at spøge med. De kan være
begyndelsen til det, der senere bliver til torden og tornadoer og i deres indre
krydses opadgående og nedadgående strømme… Vi beskuere kan nyde, at vi ganske
undtagelsesvist er på højde med skyerne, hvilket vi ellers kun kan opleve, når
vi sidder i en flyvemaskine. - Og endda, for i flyveren kan vi ikke røre ved
skyerne. For at prøve det, må vi springe ud med faldskærm! Disse nye værker er
en form for samlesæt, - et påskud for at kunne stable en masse ler ovenpå hinanden!
- Noget Bente godt kan lide! Sky-samlesættene er for de flestes vedkommende
blevet til ved, at Bente har kumuleret flere skylag omkring en central bærende
akse, der skyder op fra en fod, med en ottekantet eller firkantet form. Aksen
og foden sikrer den balance og forankring, som er det springende punkt i alt
arbejde med keramik, hvor lerets vægt og tyngdekraften mødes … Fodens definerede form forbinder til såvel
skulpturens som brugskunstens historie. Glasuren er både farve, stoflighed og
bindeelement mellem de uafhængige ophobede sky-dele. Den løber i visse tilfælde
fra det ene sky-niveau til det andet, og tilfører hermed en dynamik, en bevægelse
til det som udgangspunkt statiske, brændte ler… <i>Dynamik</i> og <i>dramatisk suspense</i>
er noget, der karakteriserer Bentes arbejde, noget hun søger efter. Hun
beskriver selv med en blanding af begejstring og fortvivlelse, hvordan hun
bruger timevis på at bygge op vel vidende, at man ikke ved, hvad man har eller
får, førend det er blevet brændt. I denne permanent relative usikkerhedszone
kan man lave nye materialer og gøre opdagelser, som sender arbejdet et helt
andet sted hen, derhen, hvor leret næsten ikke er ler længere. Jeg ved, at
Bente i arbejdet med disse nye skulpturer har været optaget af en søgen efter
noget syntetisk, af farven og af farvens lethed. Det har været en del af
udfordringen at spille op til neonlyset i udstillingslokalet… Resultatet er
blevet nye farver, en optisk hvid, en syrlig gul, en dyb fløjlsagtig lilla og
en koralrød, der stryger sig hen over hvide flader med samme flygtighed, som en
let berøring, et kærtegn. Den røde er der og er der næsten ikke. Vi finder
ligeledes koboltblå, - den farve, der som en påmindelse om porcelænets historie
har været tilstede i hele Bentes arbejde med skyer. Det er den blå times
melankolske tone, en særligt lysende intensitet- som de solnedgange, hvor vi når
igennem hele spektret, inden der holdes lukketid for solen, og mørket for alvor
tager over. <br />
Den hvide farve krakelerer som en hud, der ikke ganske formår at lukke om det,
den er membran for. Hermed antydes, at det, den næsten dækker, er i bevægelse,
at sky-strukturen er i gang med at omdanne sig…<br />
Men et er, hvad vi ser med øjet. Også andre sanser stimuleres… Smagsløgene løber
i vand ved synet af Bentes værker, for de oftest marshmallowagtige farver
inspirerer søde, bløde og sprøde associationer. Også sensualiteten er sat stævne:
Ikke alene har vi lyst til at røre, men farverne og deres lethed bringer
tankerne til kroppen, huden, dens rødmen og til fornemmelsen af blomsterkronblades
særlige stoflighed. Det visuelle kobler her til noget følelsesmæssigt, noget
sensorielt. Vi møder den dualitet eller snarere pluralitet, som er karakteristisk
for Bentes værker, tematikken uafhængig. Der er aldrig bare <i>et</i> register, <i>en</i> reference. Nej, der er et givet emne og alt det ekstra, der
tilbydes qua døre, som åbnes af subtile detaljer i stoflighed, form og farve. <br />
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Efter denne konstatering står blot tilbage at opfordre de tilstedeværende til at
deltage i Bentes formidable og overdådige sky-flugt; til at foretage den
mentale øvelse, der består i imaginært at lægge sig ned og lade sig rive med i farver
og formers drift, dannelser og metamorfoser… Bente har med sine sprudlende
cumulo-<i>nimbusser</i>, givet os transportmidlet
til en rejse ud i fantasiens uendelige Wonderland. Her kan vi blive høje på
farve, klatre i mægtige blomsterkroner, smyge os i couture med cumulus-kniplinger,
møde luft-fontæner og kæmpende vatspiraler. - Med andre ord - få vakt<i> homo ludens, </i>de små grå og skabe
vibration i mere poetiske lag og dette via kunstneriske greb som imitation,
repræsentation og hilsner til formens historie, - både den nordiske og fjerne horisonters. <o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Velkommen og RIGTIG GOD REJSE!<o:p></o:p></span></span></div>
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<span style="line-height: 115%;"><span style="font-family: Courier New, Courier, monospace;">Maria Lund<o:p></o:p></span></span></div>
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<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-49104834586895436082014-02-28T22:59:00.000+01:002014-02-28T23:04:32.858+01:00Fernisering på udstillingen: Uden Titel - nye keramiske arbejder af Gunhild Rudjord og Nils Erik Gjerdevik. Torsdag den 27. februar 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjgb6bGiblnPrEUKU0AVvUaFxP2TH7t77Hl0PkYfTM0QF4qIih2hYLbmqS3MbqZVtWyO-KDibP2BJnhPmna1IuxODxNvZ4v0-p05h4Uij5uomg7eqbrQ84IiLjHhEuz5fsnqGIHHd2aScz/s1600/IMG_2785.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjgb6bGiblnPrEUKU0AVvUaFxP2TH7t77Hl0PkYfTM0QF4qIih2hYLbmqS3MbqZVtWyO-KDibP2BJnhPmna1IuxODxNvZ4v0-p05h4Uij5uomg7eqbrQ84IiLjHhEuz5fsnqGIHHd2aScz/s1600/IMG_2785.JPG" height="300" width="400" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">Gunhild Rudjord og Nils Erik Gjerdevik </span></div>
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<span style="font-family: Courier New, Courier, monospace;">Nils Erik Gjerdevik holder åbningstale</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Ude på trappen!</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-13915953206606083542014-01-23T19:36:00.000+01:002014-02-28T23:08:45.480+01:00<br />
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<span style="background-color: white; font-size: 18px; line-height: 27px;"><span style="font-family: Courier New, Courier, monospace;">Godt Nytår</span></span></div>
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<span style="background-color: white; font-size: 18px; line-height: 27px;"><span style="font-family: Courier New, Courier, monospace;">Copenhagen Ceramics ønsker at takke alle for den store opbakning til vores udstillinger i 2013. Vi holder nu en pause frem til slutningen af februar, men glæder os til at se jer igen til vores syv planlagte udstillinger i 2014. Vi starter med en udstilling af Nils Erik Gjerdevik og Gunhild Rudjord fra den 27. februar – 22. marts. Vi vender snarest tilbage med flere oplysninger og en frisk hjemmeside med præsentation af vores 2014 udstillingsprogram.</span></span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-90421719970185720082013-12-01T21:18:00.000+01:002013-12-01T21:18:24.530+01:00Artist talk med Claydies og Ole Jensen, lørdag den 23. november 2013<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Keramisk sugerør af Claydies</span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Talerstol af Ole Jensen</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0jdFTmqLZwnilgZS94jjpCr_YJCtHoJbN1hpYs_gaL59slNoeymTT50Yp7VKdZLvGdz7_lwc5-EajNe1sjgbhXD14EQU_qvujoBAd7hf3HzhyphenhyphenWic3ZCD2Tsc_oEapi2V-IpmJKpVErO4j/s1600/IMG_2537.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0jdFTmqLZwnilgZS94jjpCr_YJCtHoJbN1hpYs_gaL59slNoeymTT50Yp7VKdZLvGdz7_lwc5-EajNe1sjgbhXD14EQU_qvujoBAd7hf3HzhyphenhyphenWic3ZCD2Tsc_oEapi2V-IpmJKpVErO4j/s400/IMG_2537.JPG" width="400" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">Sjusglas af Claydies</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtSReoBvN14owz_Flmjsg7ToAs42gHKlknyFTxgsI350_crHNV1TulP8B9DvesrA_jaO0_k_yBLLt5mLv9ILNPfl9FCd0rNRHUUDjh1uw9OfOGtDh1nP8HgUUfLdM-JPsGlI3Jc8SscRI7/s1600/IMG_2489.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtSReoBvN14owz_Flmjsg7ToAs42gHKlknyFTxgsI350_crHNV1TulP8B9DvesrA_jaO0_k_yBLLt5mLv9ILNPfl9FCd0rNRHUUDjh1uw9OfOGtDh1nP8HgUUfLdM-JPsGlI3Jc8SscRI7/s400/IMG_2489.JPG" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuP6byPmG_EHkdB8xODZ78z-WAG2k7pU9dWzxlljYYUU7yIvadTcq-gyha1uJqNVQdszk6AVw4wj6S4Xqvbct5VChJgyAD_-XwF6MNXv7eQTkiFH61SYNsS1M36bLf09zpK-jxPWBBwXSA/s1600/IMG_2589.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuP6byPmG_EHkdB8xODZ78z-WAG2k7pU9dWzxlljYYUU7yIvadTcq-gyha1uJqNVQdszk6AVw4wj6S4Xqvbct5VChJgyAD_-XwF6MNXv7eQTkiFH61SYNsS1M36bLf09zpK-jxPWBBwXSA/s400/IMG_2589.JPG" width="400" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">Vinglas af Claydies og Karaffel af Ole Jensen</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkfstlBQejTaNyeIzZXCpR93dOaXP5aVUVOKGvemoaBIe5iOyqqjj3u52ii1VOsZ5v1C3MeYR69gAyRl5q8XucSEv9F0LGIN9b4EfS6SHx4-mcYamESlrFp8P85ORi-xAXrFDwURERgk58/s1600/IMG_2573.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkfstlBQejTaNyeIzZXCpR93dOaXP5aVUVOKGvemoaBIe5iOyqqjj3u52ii1VOsZ5v1C3MeYR69gAyRl5q8XucSEv9F0LGIN9b4EfS6SHx4-mcYamESlrFp8P85ORi-xAXrFDwURERgk58/s400/IMG_2573.JPG" width="300" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">Keramisk fadølstragt og ølkrus af Claydies</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-72966029291207729912013-12-01T17:25:00.000+01:002013-12-01T17:25:43.954+01:00Film fra "The Opening"<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dwsvzeVesAnxRdSKdH_qO9DeITaH4b0--wvagW9wJAkdyU-SQI-jGV3OmYOb4zgK56azvFhcEBgsAkXKM6lXQ' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
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<span style="font-family: Courier New, Courier, monospace;">En lille film fra "The Opening" lavet af Claydies</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-8769923537172551132013-11-24T23:28:00.000+01:002013-12-01T18:07:16.455+01:00Fra "The Opening" med Claydies og Ole Jensen, torsdag den 21. november 2013 <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiwkLNqxrk-I9UKS9ZbVYiDKuIjSZcW1Fz6Oj0X8Lf8ziOZJ_2QZxFE77UtsXoS5KTkTuLcXeRJnYpyJ5UqfI14oNNftC40R17Ejttn2TI4-DAxB3svTR4Yn6ZRu4y_RS7c1xUqK5wunZF/s1600/IMG_2278.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiwkLNqxrk-I9UKS9ZbVYiDKuIjSZcW1Fz6Oj0X8Lf8ziOZJ_2QZxFE77UtsXoS5KTkTuLcXeRJnYpyJ5UqfI14oNNftC40R17Ejttn2TI4-DAxB3svTR4Yn6ZRu4y_RS7c1xUqK5wunZF/s400/IMG_2278.JPG" width="300" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;"> Udstillingen åbnes af professor Anne Currier, Chair</span></div>
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<span style="font-family: Courier New, Courier, monospace;">of Division of Ceramic Art, School of Art and Design,</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Alfred University, New York State</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFxXNjFAZB3z9D2UiWbvEu0vvFTfPp2162I77rMTqnc5EgP8fg6dN9Cf6e_l7kroJsG-Ht9ozNF8eLuh9u1vWWVgD7T3Q82xtRCFnQNQ-W80pg93DHtT-kxjoWI6RUJ_5_WLdhOa3JJPCW/s1600/IMG_2302.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFxXNjFAZB3z9D2UiWbvEu0vvFTfPp2162I77rMTqnc5EgP8fg6dN9Cf6e_l7kroJsG-Ht9ozNF8eLuh9u1vWWVgD7T3Q82xtRCFnQNQ-W80pg93DHtT-kxjoWI6RUJ_5_WLdhOa3JJPCW/s400/IMG_2302.JPG" width="400" /></a></div>
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<span style="font-family: Courier New, Courier, monospace;">Vandskåle af Claydies</span></div>
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<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace;"> Karen Kjældgård-Larsen</span></div>
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<span style="font-family: Courier New, Courier, monospace;"> Tine Broksø</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Ole Jensen</span></div>
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<span style="font-family: Courier New, Courier, monospace;"> På "The Opening" tages værkerne i brug</span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Spiritusflasker af Ole Jensen</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Isbowle af Ole Jensen</span></div>
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Opera!</div>
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<span style="font-family: Courier New, Courier, monospace;">Vinglas af Claydies</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Ølkrus og sjusglas af Claydies</span></div>
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<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace;"> Anne Currier og Claydies</span></div>
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<span style="font-family: Courier New, Courier, monospace;"><b><i><span lang="EN-US" style="font-size: 11.5pt;">THE
OPENING</span></i></b><b><i><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></i></b></span></div>
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<span lang="EN-US" style="font-size: 11.5pt;"><span style="font-family: Courier New, Courier, monospace;">One
of my guilty pleasures is reading crime novels - detective stories. What are
the clues? When and where are they discovered? How are they considered? How
does the detective solve the crime?<o:p></o:p></span></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><span lang="EN-US" style="font-size: 11.5pt;">There
is a paragraph that I want to share with you from <i>Points and Lines</i>, a crime novel written in 1957 by one of Japan's
foremost mystery writers, Seicho Matsumoto:</span><span lang="EN-US" style="font-size: 11.5pt;"> </span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span><i><span style="font-size: 11.5pt;">"Sometimes
a preconceived opinion will make us overlook the obvious. This </span><span style="font-size: 11.5pt;">is a frightening thing. We call it common
sense but it will often leave us with a</span><span style="font-size: 11.5pt;"> </span><span style="font-size: 11.5pt;">blind
spot. Even if something appears to be obvious, one should investigate, </span><span style="font-size: 11.5pt;">objectively, to make absolutely
sure."</span></i></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><span lang="EN-US" style="font-size: 11.5pt;">In
his statement for the <i>TableSpace</i> catalog,
which accompanied the 2011 exhibition with the same title, Ole Jensen offered the following observation: </span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span><i><span style="font-size: 11.5pt;">“There
are a great many ceramists who think that busying oneself with </span><span style="font-size: 11.5pt;">function and articles for
everyday use is boring - that it gets in the way of </span><span style="font-size: 11.5pt;">artistic ambitions. In that
case, of course, one ought to be doing something </span><span style="font-size: 11.5pt;">else instead. But that's not the way I feel about it. It is
not a question of </span><span style="font-size: 11.5pt;">finding something new. It can
also be a lot of fun to rediscover something</span><span style="font-size: 11.5pt;"> </span><span style="font-size: 11.5pt;">forgotten."</span></i></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><span lang="EN-US" style="font-size: 11.5pt;">For
me, the overlapping threads that draw these observations together also untangle
how the mind works: the "real story" is the process of forming
associations - finding clues and paying attention to details. This is how the
good detective / designer / artist is able to discover and create tangential
and parallel lines, with seemingly disconnected points.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-size: 10pt;"><span style="font-family: 'Courier New', Courier, monospace; font-size: 11.5pt;">To
offer a brief chronological background that connects the “points and lines” between
ceramics at Alfred with Ole Jensen and the Claydies: </span></span><span style="font-family: 'Courier New', Courier, monospace; font-size: 11.5pt;">I've
already mentioned </span><i style="font-family: 'Courier New', Courier, monospace; font-size: 11.5pt;">TableSpace</i><span style="font-family: 'Courier New', Courier, monospace; font-size: 11.5pt;">. This
was an exhibition curated in 2011 by Linda Sikora and Albion Stafford for the
Fosdick-Nelson Gallery at Alfred University. Linda is a colleague and professor
in the Division of Ceramic Art at the School of Art and Design. She is also a
studio potter. Linda invited Ole to exhibit his work as one of fourteen ceramic
potters from six countries: Canada, Denmark, Germany, Japan and United States.</span></div>
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<span lang="EN-US" style="font-size: 10pt;"><span style="font-family: 'Courier New', Courier, monospace; font-size: 11.5pt;">Andrea
Gill, another colleague and professor in the Division of Ceramic Art, organized
a studio workshop, lecture and gallery talk that occurred simultaneously with
the TableSpace exhibition. For this event, Andrea invited Ole and he agreed to
participate. This was Ole's first visit to Alfred.</span></span></div>
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<span lang="EN-US" style="font-size: 10pt;"><span style="font-family: 'Courier New', Courier, monospace; font-size: 11.5pt;">Last
spring 2013, the faculty of the Division of Ceramic Art once again invited Ole
to Alfred for an eight-week residency in September and October - this time as a
Randall International Chair. As the current division head for the Ceramics
Division, this is when I became directly involved. It was in the course of our
correspondence that Ole mentioned his collaboration with the Claydies. Would
Alfred - the Ceramics Division - be interested in inviting Karen and Tine to
Alfred for a few days as visiting artists? So I did a quick Google search, checked
the budget and conferred with my colleagues. The answer: a resounding, absolutely,
yes. So for three days in October we enjoyed a workshop, lecture and visit with
the Claydies.</span></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><span lang="EN-US" style="font-size: 11.5pt;">During
the eight weeks at Alfred, Ole made his ceramic pieces that are now in the
gallery. I think it was quite a big risk for him to leave the comforts of his
studio to make his work in the unfamiliar studio environment at Alfred. And a
risk for the Claydies as well. The convenience of personal and immediate
exchange was not an option. It is a bit tempting to speculate if the outcome
would have been different - like an ending to a mystery novel - had all
collaborators stayed home.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><span lang="EN-US" style="font-size: 11.5pt;">Today
- <b><i>The
Opening </i></b>- brings the long-distance conversation between Ole
Jensen and the Claydies to its performative moments - the occasion for
interaction with you who are here tonight. <b><i>The Opening </i></b>celebrates our desires
to socialize and share the pleasures of one another's company, to eat and
drink, to touch ceramic objects, and to be engaged with our sense of wonder and
play. After this evening, the gallery and the objects installed will, to some
degree, constitute the scene of the crime. Everyone will have collaborated.</span><span lang="EN-US" style="font-size: 10pt;"><o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-size: 11.5pt;"><span style="font-family: Courier New, Courier, monospace;">Thank
you for coming - and I personally want to extend special thanks to Ole Jensen,
the Claydies and Copenhagen Ceramics for inviting me to participate.<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-size: 11.5pt;"><span style="font-family: Courier New, Courier, monospace;">Anne
Currier<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-size: 11.5pt;"><span style="font-family: Courier New, Courier, monospace;">November
21, 20</span></span><span lang="EN-US" style="font-family: Courier New, Courier, monospace; font-size: 11.5pt;">13</span><span lang="EN-US" style="font-family: "Times","serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><o:p></o:p></span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-53001131184292532842013-11-16T23:57:00.000+01:002013-12-01T21:34:11.751+01:00Ole Jensens på Alfred University i New York State<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Courier New, Courier, monospace;">Ole Jensens keramik til den næste udstilling i Copenhagen Ceramics er lavet i forbindelse med et ophold som gæsteprofessor på Alfred University i New York State i efteråret 2013, hvor Claydies i samme periode også aflagde besøg og afholdt workshop og foredrag</span></div>
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<a href="http://www.alfredceramics.com/"><span style="font-family: Courier New, Courier, monospace;">http://www.alfredceramics.com/</span></a></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Alfred</span></div>
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<span style="font-family: Courier New, Courier, monospace;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEZY7QGfMMiNEoHJXx10Jnd4zDvK4M6Dkkegip3Xu01enTLAiQgSraRYNPLbncmTbH6cpWEcO-BMRhzDlwE26i7LeI4p30H-OjB6l5tOemyEQ4tfX46i9qUyxcPqu0YBKMulmjUzqQblWw/s1600/WP_20130824_002%5B1%5D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEZY7QGfMMiNEoHJXx10Jnd4zDvK4M6Dkkegip3Xu01enTLAiQgSraRYNPLbncmTbH6cpWEcO-BMRhzDlwE26i7LeI4p30H-OjB6l5tOemyEQ4tfX46i9qUyxcPqu0YBKMulmjUzqQblWw/s400/WP_20130824_002%5B1%5D.jpg" width="400" /></a></span></div>
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<span style="font-family: Courier New, Courier, monospace;">Første skitser</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Parade med professor John Gill</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Alfred by night</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Apple pie hos Gills</span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Oles studio på Alfred University</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Johan Creten, Ian McMahon og professor Anne Currier</span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Gennemgang med studerende</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Claydies holder workshop</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Assistenten Kala glaserer</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Prøvesmagning</span></div>
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<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace;"> Et hjørne af ovnparken på Alfred University</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Færdig til hjemtransport</span><br />
<span style="font-family: Courier New, Courier, monospace;">Ole Jensen og Leslie Bellavance </span></div>
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<span style="font-family: Courier New, Courier, monospace;">Chevrolet Surburban</span></div>
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<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-79297226609667897162013-11-10T10:51:00.000+01:002013-11-10T10:51:51.912+01:00Artist talk med Yasser Ballemans 26. oktober 2013<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: 'Courier New', Courier, monospace;">Yasser Ballemans: The Next Parade, Nos 8 - 18</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-83189357468865326072013-10-28T12:39:00.000+01:002013-10-28T12:53:43.611+01:00Yasser Ballemans: The Next Parade. Fernisering 24. oktober 2013<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Frederik Hardvendel, direktør for Statens Værksteder for Kunst holder åbningstale</span><br />
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<span style="font-family: Courier New, Courier, monospace;">Yasser Ballemans</span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">Yasser Ballemans / The Next Parade <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">In the text ‘Manifestation’ by the Dutch writer and
curator Freek Lomme, the author describes Yasser Ballemans’ sculptures as
“Disrupted manifestations of reality”. They are like an ‘Undefined imagination’.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">And the definition of the word manifestations is
certainly interesting to keep in mind when you look at Ballemans’ sculptures: as
Lomme writes, the word refers to both an expression of a view – and a concrete,
physical form. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">And yes, you can see Ballemans’ sculptures like
manifestations in the landscape – or in this case - the room. But the fact is
that the material also means – almost - everything. And in this case, the
material and the construction form a subtle contrast to the definition of the
word <i>manifestations</i>. The ceramic
structure makes the sculptures look solid and delicate at the same time.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">The manifestations have transformed into something
both permanent and fragile. The
sculptures have a certain distinctive antithesis - and they contain what one
can call a built-in temporality due to the medium and the context. And not
least due to the construction they have – build up by several smaller clay
parts – bringing in memories of cardboard figures and paper cutting.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">Which objects do Yasser Ballemans presents to us in
this parade – this carnival of figures? One can say that they do have some kind
of recognizability – like objects we can somehow recognize from our
surroundings. But some of them are also from a world elsewhere, something
foreign and strange. They are withdrawn from context – but at the same time
linked to each other, because they are all part of the same parade. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">In their geometric expression we see that some parts
are missing, and they do not have those forms, we expect from them. This is the
reason why they are also both intriguing and demanding to look at –
imaginative, humoristic, uplifting and surprising at the same time.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">These gestalts - these abrupt figures - form a parade,
a carnival, in which they are part of something bigger. They <u>are</u> the parade;
they become the carnival – as a sculptural and cultural manifestation. Like
humans forms a quantity, when we walk in the streets together in a parade. They
become a new imaginative reality in the moment. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">The size of Yasser Ballemans’ ceramic sculptures holds
a story in itself. Some of them taller than a grown-up man, the size makes them
seem even more fragile – and the solidness more overwhelming. They lean over us
and provide associations on a world, a room, a temporary society. They are
continuously open to interpretation. – And the size has en enormous impact on
our perception of them.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">Yasser Ballemans are inspired by buildings – but not
ordinary architecture. He is especially inspired by the absurdness of something
which is build only as a festive building – like the firework theatre in Hague
from mid-17<sup>th</sup> century. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">They are manifestations in the public space - Buildings
as manifestations of the role of art in society, as Yasser says himself. And in
the same way his sculptures have a somehow absurd presence: they are playful
and challenging, and they demonstrate a significant complexity. Their
aesthetics live in our understanding of them in the context.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">Since ultimo August Yasser has been working in the
ceramic workshop at the Danish Art Workshops. During his residency he has
showed and admirable systematic way of working – which is almost obvious, when
you look at the sculptures now. They are the result of a laborious and careful
process – but also a process influenced by humor and a way of seeing new
possibilities in the material. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">The result is to be seen as a distinct new expression
in the material. The material provides a special exposure of the language of
the artist. The ceramic material complements Yasser Ballemans’ expression and
workflow – and new stories are brought to his work through the material.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">It is logical to present Yasser Ballemans’ sculptures
in this exact place. Copenhagen Ceramics has an exceptional position in the
Danish art scene. The place is an exponent for the innovative and experimental
way of looking at ceramic as an artistic expression – which is obvious when you
take a look at the list of exhibiting artists. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">Furthermore it is driven by three prominent Danish ceramic
artists; Steen Ipsen, Bente Skjøttgaard and Martin Bodilsen Kaldahl. They have
put a lot of time and effort into this exhibition place - in a time where it is
not easy at all to operate a gallery. It testifies a huge amount of engagement
and passion.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">This is a place to be proud of – in Denmark as well as
worldwide. I’m very pleased to see Yasser Ballemans’ impressive sculptures in
these surroundings!<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">Frederik Hardvendel <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Courier New"; mso-ansi-language: EN-US;">Director at The National Workshops for Arts<o:p></o:p></span></div>
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<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-42386092095317979292013-10-16T21:30:00.000+02:002013-10-16T21:41:56.909+02:00Yasser Ballemans´ arbejder undervejs på Statens Værksteder for Kunst<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Hollandske Yasser Ballemans har arbejdet på Statens Værksteder for Kunst i 2 måneder op til sin udstilling "The Next Parade" i Copenhagen Ceramics som åbner 24. oktober - 2013</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-87258381068575558262013-10-05T22:17:00.000+02:002013-10-05T22:17:21.144+02:00Artist Talk med Flemming Tvede Hansen og studerende fra SuperFormLab<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;">Demonstration af 3D-printning direkte i ler</span></div>
<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-989232696647447532013-10-05T22:04:00.000+02:002013-10-05T22:33:01.325+02:00Fernisering på udstillingen: SuperFormLab viser SuperFormLab; Torsdag den 26 september 2013<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Courier New, Courier, monospace;">3D-print i ler og keramiske objekter formgivet af lyde </span><span style="font-family: 'Courier New', Courier, monospace;">og bevægelser. Digital form overført via computerstyret </span></div>
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<span style="font-family: Courier New, Courier, monospace;">fræsning til keramisk vægbeklædning.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Studerende og deres underviser ved SuperFormLab, der er </span></div>
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<span style="font-family: Courier New, Courier, monospace;">Kunstakademiets Designskoles nye keramiske værksted i </span></div>
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<span style="font-family: Courier New, Courier, monospace;">København, viser resultater af arbejdet med at udforske nye </span></div>
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<span style="font-family: Courier New, Courier, monospace;">digitale muligheder i forhold til det keramiske materiale.</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Udstillende studerende: Mirja Amdrup Laugesen, Kajsa Lannemyr, Anne Marie Bisgaard, </span><span style="font-family: Courier New, Courier, monospace;">Mia Maya Christophersen og Hanieh Heidarabadi. Underviser, phd. Flemming Tvede Hansen </span><span style="font-family: 'Courier New', Courier, monospace;">udstiller eksperimenter med digital formgivning baseret på lyd- og bevægelsesoptagelser.</span><span style="font-family: 'Courier New', Courier, monospace;"> </span></div>
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<span style="font-family: 'Courier New', Courier, monospace;">Fra ferniseringen den 26 september 2013:</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Udstillingen åbnes af institutleder, lektor PhD Troels Degn Johansson fra Kunstakademiets </span></div>
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<span style="font-family: Courier New, Courier, monospace;">Designskole</span></div>
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<span style="font-family: Courier New, Courier, monospace;"> Underviser PhD Flemming Tvede Hansen og studerende Mia Maya Christophersen, Mirja Amdrup Laugesen, Anne Marie Bisgaard og Kajsa Lannemyr</span></div>
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<br />copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0tag:blogger.com,1999:blog-3224241323107810180.post-63502151094281579872013-08-31T18:06:00.001+02:002013-08-31T18:08:08.449+02:00Artist talk med Pernille Pontoppidan Pedersen og Christina Schou Christensen<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; font-family: 'Courier New', Courier, monospace;">Henriette Noermark </span><span style="background-color: white; font-family: 'Courier New', Courier, monospace;">stiller spørgsmål</span></div>
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<span style="font-family: Courier New, Courier, monospace;">Christina Schou Christensen</span></div>
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<div style="text-align: center;">
<span style="font-family: Courier New, Courier, monospace;">Pernille Pontoppidan Pedersen</span></div>
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copenhagenceramicshttp://www.blogger.com/profile/02529245647682478280noreply@blogger.com0